Tag: tropes

What You Should Be Reading this Weekend

Weekends are the perfect time for cuddling up in front of a fire with a good book. It’s even better if you can get a bite-sized story that fills the one or two free hours perfectly. And I have a recommendation that fits both bills: ONE SNOWY NIGHT.

This is a new collection of four short stories released by Roane Publishing only a few days ago. Because it’s my publisher, I read the advanced copy several weeks ago. And boy did it get me in the mood for snowy nights cuddled up with my honey.

I’m not going to give you the summary. You can click over to my blog earlier in the week to read the blurbs for all the stories.

My Review

You’ll enjoy four- and five-star reads in this collection. It includes stories with traditional tropes but all of them have a twist. That’s exactly the way I enjoy my tropes.

Melissa J. Crispin takes the “I lost my memory” trope and throws it into an interesting situation. What if you forgot you were divorced? What if you woke up after an accident expecting to see your husband? Asking these questions worked for the author because the husband under consideration hadn’t wanted the divorce in the first place.

These characters weren’t especially relatable as far as careers go, but their emotions were universally understood. Although I thought the story shifted too suddenly in some areas, it was still a powerful, feel-good read that made me tear up.

Four stars.

If you haven’t read anything by T.E. Hodden, you’re in for a pleasant surprise. I’ve read several of his stories, and this one has the most “feels” of any I’ve read. Again, he uses a common trope–friends to lovers–and freshens it up with incredible stakes.

He employs two devices I’m usually NOT impressed with. The first is that most of the story is a flashback. The reason this doesn’t really work for me is because I know where the story’s going and that takes away the tension in the progression.

That didn’t happen here. In fact, I kept turning pages wondering, “Well, how did this happen?” And although I figured out the big misunderstanding fairly early, I still wanted to keep reading.

The other thing is the use of first AND second person. I especially dislike second person because I never feel the “you.” In this case, the author pulled off this strange point of view. It came across as the narrator telling the story to the love interest (the “you” of the story). Some skilled writing went into this.

Five stars.

If you like the friends to lovers trope when it’s separated by a time lapse, you’ll like Laurie Treacy‘s story. While I felt like it told us the individual stories of Danielle and Quinn rather than truly building their romance, I still enjoyed it. Part of that could have been the hometown setting, which is one I generally adore.

The characters were well-developed and I could relate to their struggles. The plot progressed very much as expected in a romance, but I never felt the budding (or revisited?) relationship was in peril, so it didn’t have the sort of tension I need to fully engage with a romance-only story.

Four stars.

The final story I read in the collection was by Charlotte Snead. “One Snowy Day” took the trope of surrogate mother to wife and twisted it by giving an incredibly unique situation as the setup. It didn’t have the same “winter afternoon” feeling as the other stories, but that doesn’t mean it wasn’t enjoyable and engaging.

I never connected with these characters the way I did in the other stories. The only one who had my empathy was the little girl, Molly. I wanted the aunt and dad to get together so Molly would finally have a happy home.

Four stars.

My Recommendation

If you enjoy sweet romance, you’ll want to pick up this collection. Each story offers enough familiarity to pull you right in and enough originality to keep you reading.

These aren’t holiday stories. Yes, most of them center on events that happen in the winter, but many of them span several months or years.

Once you sample these authors, you’ll be back to Roane Publishing to read more from them. And that’s a perfect way to throw support to a small indie publisher.

Don’t forget the Giveaway for a $10 gift card.

What are you reading this weekend? I hope you’ll consider adding One Snowy Night to your pile.

7 Must-Ask Questions to Find Your Perfect Book Editor – Part I

Today’s post is written by my friend, a book editor, Kristen Hamilton.  She’s going to enlighten us on how to find a perfect editor for our book.

Here’s Kristen…

Imagine this: You’ve finished writing and self-editing your manuscript and are ready to hire an editor. You type in manuscript editor on Google and are overwhelmed by the results—over 95 million. You e-mail several book editors, not really knowing what you’re looking for, and choose one at random, possibly the cheapest one or the one who has the best looking website. Then, after spending thousands of dollars, you’re unhappy with your book and, discouraged and disenchanted, you shelve your book and never publish it.

Just as the market is saturated with books, it’s also saturated with book editors—some good, some not so good. Although every editor has something positive to bring to an author-editor relationship, some editors will undoubtedly be a better fit for your manuscript.

How do you find the right book editor for your manuscript? You just need to ask yourself the right questions.

1. What type of editor are you looking for?

Are you happy with your book’s overall structure? Do you feel like something’s missing in the storyline? Do the sentences have good rhythm and flow? Most books require three distinct stages of editing:

  • Substantive or developmental editing focuses on the big picture of your novel: addressing character development, pacing, plot holes, and loose ends.
  • Line editing looks for improving sentence structure, readability and flow, consistency and clarity, and logic and sense of scenes.
  • Proofreading is the last check for surface errors including spelling, punctuation, grammar, word choice, and syntax.

Some editors only provide one or two of these services, while others are specialized in all three. Of course, each editing service will be a separate pass through your manuscript. The more times your editor goes over your manuscript, the more errors that will be caught. A good editor will be able to guide you to choose which editing services are right for your book.

2. Does the editor specialize in your genre?

Once you find a competent developmental editor, line editor, and/or proofreader, narrow down the results a bit more by genre.

Most editors specialize in a specific genre. Cookbooks, crime thrillers, general fiction, or memoirs are all highly different types of books, and need different elements to succeed. Naturally, the more experience the editor has with that specific genre and type of editing, the better hands your book is in. And while there are no guarantees that your perfect editor will transform your book into a bestseller, an adequate and competent editor will certainly improve your manuscript.

3. What is the editor’s experience?

Once you’ve narrowed the pool of editors to a select few who offer the type of editing you need, check that the editor is qualified with a degree in English, writing, or a related field. While years of on-the-job experience will help hone an editor’s skills, nothing can replace the specialized learning that comes with earning a degree in the field. Any qualified editor will also be a member of the Editorial Freelancers Association, and you can search the database of editors here.

Unfortunately, uninformed authors can easily choose a really, really terrible editor. Beware of editors who don’t have a lot of experience, who have extremely low prices, or who are just plain…sketchy. There have been countless times I’ve accepted a new client who was burned by their previous “editor,” where the editor took their money, did minimal edits, and left a very dissatisfied author and an incomplete manuscript. Yikes.

4. Does the editor have a portfolio and testimonials?

This one’s easy. Check out the editor’s portfolio and testimonials from previous clients—a reputable editor will have these clearly listed on their website.

Take it a step further and read reviews on the books they have edited. If there are complaints of misspelled words, poor editing, or a confusing storyline, move on to the next editor. Your book is too important to put it in the hands of a sloppy editor. If possible, ask to contact an editor’s previous clients. Were they happy with the editor’s work? Would they hire them again? Previous clients’ testimonials are one of the best ways to vet your future editor.

This is just scratching the surface of what you need to do to find the perfect book editor for your manuscript. Check back next Thursday, where the final three questions will be addressed, helping you to find the perfect editor for your book.

Book manuscript editor Kristen Hamilton is the owner and sole employee of Kristen Corrects, Inc. , which provides manuscript editing services. Working independently allows Kristen the opportunity to interact with clients and provide them personalized service. There is nothing better than communication and friendliness in a business world that is slowly becoming less focused on people.

 Kristen is included in the 2014 Guide to Self-Publishing and the 2015 Guide to Self-Publishing, both published by the prestigious Writer’s Digest. She is also part of the credible Writer’s Market, Publishers Marketplace, and Editorial Freelancers Association and plays a pivotal role as senior editor at Modern Gladiator magazine.

Reading is Kristen’s passion, so when the workday is over, she can usually be found curled up with a good book (alongside her three cats, Sophie, Charlie, and Jack). She loves pizza, cat videos, watching The Bachelor, and traveling, and is likely planning her next vacation. She lives outside of Boise, Idaho.

What questions do you have about finding an editor?