Tag: self-published

Ten Things to Know about Being an Author – Part One

Since shortly after I was old enough to read and imagine my own stories, I wanted to be an author. My first story was penned in a spiral notebook when I was in third grade. The past four years that I’ve been living the dream doing this author thing have been amazing.

And instructive. And painful at times. Filled with discouragement and despair at other times. Even wrought with excitement to the point I soared above the clouds.

The higher you go, the further you have to fall.

And falling from such heights hurts. It might even kill you(r dream).

Traditional publishing is the slow track to being published.

By slow I mean, it takes years if you pursue one of the large publishing houses (which means you have to find an agent first). After you spend months writing, revising, editing and polishing your manuscript, the journey of ten thousand miles begins.

It starts with research. Which agents are looking for your style and genre? Which publishers would contract it?

Then the rounds of submission begin. Most of this is done electronically. This speeds the process of notification to three months instead of six to twelve. Many agencies won’t respond unless they’re requesting pages.

Talk about disheartening. It feels like tossing my life’s work into a black hole.

I wanted this for myself. I needed the validation. I wanted a publishing professional to confirm that my work was of a quality to be read and circulated.

Publishing with a small press is the fast track to getting work in front of readers.

Even though it was a small publisher who gave me my first fiction contract (and all my subsequent contracts until I began writing for Kindle Worlds), it didn’t feel like traditional publishing to me.

First of all, the submission hoops are simpler to understand and jump through. The turnaround time for notifying you of acceptance is shorter.

I started with short stories in answer to specific submission calls. This is the only way I’ve managed to publish in my dream genre (young adult fantasy).

The contracts are long but straightforward, and most of the small houses don’t offer advances. They split the royalties half and half, though, which I understand is a substantial raise over big houses.

You still get the benefit of several editing passes (story development, line edits and proofing) and a professional cover. On my stand alone titles, I’ve been consulted about the title and my thoughts and opinions were considered and employed.

Traditional publishing success is ninety percent about who you know.

Slush pile. I’m not sure the few manuscripts I’ve sent, although requested, actually met up with the agent or editor. Getting a query past this point is something I’ve only managed with small houses.

Could be my queries are weak. Or the agent wasn’t looking for the kind of story I was telling.

All I know is that hearing nothing is more depressing than a rejection. It’s like all your effort is meaningless to the agent or editor. Sure, they have a ton of work, but does it really take so long to send a four line email saying you aren’t interested?

If you can get an author to recommend you, I understand the odds increase exponentially in favor of a contract.

Small press publishing is fifty percent finding the right publisher and fifty percent telling a good story.

It will still take effort to locate the right press for your story. More small houses appear every month. Many of them will disappear within a year or two. I don’t send anything to a publisher that’s been around for less than a year. And I always check out their current and past titles.

I’ve started reading some stories from a small press that weren’t all that great. Then I see that the author is also the editor-in-chief. This looks like a new form of vanity publishing to me.

They started up the press so they could publish their own books.

I’ve also read a few fantastic stories that come from the same situation. The difference? I didn’t take a poll, but I think it involves professional editing and more skilled writing.

I don’t want a bad story to be published. This is what kept me from subbing manuscripts for years. I wasn’t good enough. Even reading the first fiction short that Roane accepted makes me cringe a little.

Indie publishing requires both entrepreneurial finesse and cash reserves.

Independent publishing makes you the boss of it all. You’re the captain of the publishing ship.

If you want, you can churn out a story and upload it to Amazon with a thrown-together cover. Maybe you’ll sell a few copies.

But if you want to be a professional author, act like one. Make a business plan. Plan a production schedule. Give yourself deadlines and then meet them.

To succeed, you need to learn the business. Locate professional editors and hire them. Listen to their comments and improve your stories.

If you don’t know design, hire a cover designer. You can hire someone to format the interior of the book. You can even hire a publicity representative to plan your marketing campaign.

All of that costs money. Plan on investing anywhere from $500 to $1500 from your savings per book. Then do the math and find out how many copies you have to sell to break even and make a profit.

I still haven’t broke even on my indie novella Reflections from a Pondering Heart.

This is only FIVE things you need to know about being an author. I’m guessing 900 words is more than long enough for most of my blog readers.

Come back on Thursday to learn the other five things.

Which of these seems most obvious? Most important? Most discouraging?

When No News is Good News

Writing is waiting. And waiting some more. All the while you keep writing, but part of your brain is wondering about the wait.

Even self published authors must deal with some of this. They send a manuscript to their editor and have to wait for it to come back, marked with changes they must make before they can publish. A cover designer has their idea and so the wait begins to see if they can translate it into a cover matching the author’s vision.

Once they upload their manuscript to a print on demand company or an e-book publisher, they wait for notification that it has been accepted. Or that it doesn’t meet some requirement and they need to change it.

Eventually, their book is available for readers to purchase.

In the traditional writing world, the waiting expand exponentially.

My Publisher Waiting Game

Back in May, I submitted a manuscript to one of my publishers on speculation. Meaning they asked me to write a specific story and send it to them. For a refresher, read this post.

After I sent it, one of my non-writer teaching friends and I were discussing it. When I explained that it would be eight to ten weeks before I heard anything, she was aghast.

“You might not hear anything until July? I would be on pins and needles.”

I laughed. Well, not in her face because that’s just rude. Writers understand that ten weeks is much too soon for most publishers to respond to a full manuscript. Some have waited six months to a year.

waiting-game

Yes, it IS a long time to be on “pins and needles.” But authors know there is no thumb-twiddling while you’re waiting to hear. You start writing the next story.

I have finished two projects and begun the sample chapters for a nonfiction project I hope to submit to agents in a month or two. All while waiting for the publisher to respond.

In the middle of August, I received an email from an editorial assistant with Month9Books. She informed me that my manuscript was the next project to be read. I should hear within a week or two.

In the middle of September, I got an email from my editor. She wanted to schedule a conference call with the publisher.

We’re talking. It can’t be all bad news, can it?

I’m telling you, all those months with no news was definitely the good news in this situation.

The publisher wanted to reject my manuscript outright because it didn’t follow the rules of a single genre. BUT since the novel is a spin-off of my short story which is coming out in this publisher’s anthology later this month, she wanted to capitalize on that if she could.

I won’t bore you with the details. In short, if I wanted to do a bunch of things to get my manuscript out there (publish on WattPad or Amazon), they would support that on their social media channels. But I should consider this manuscript rejected and released.

Agent’s Play the Game

During this same time, I have continued to submit my YA fantasy called DRAGONS AWAKENING to a few agencies and small presses.

I’m surprised by the number of literary agents who say, “If you don’t hear from us in six (eight, ten or twelve) weeks, consider that a pass.”

Because dropping me a two-line email will take so much time? Don’t you have an assistant who could handle that to give her (or him) a break from weeding through your slush pile?

It baffles me.

So in this case, no news is BAD news.

They are so disinterested in your story that they couldn’t even take a minute to type a sentence or two.

This isn’t all agents. How would I know what a rejection email looked like if I hadn’t gotten one or two or twenty?

And I respect the agents who at least reply. They remain on my list of possible candidates for my next project. Provided they even represent Christian nonfiction or women’s fiction.

query_rejected

Small Publisher’s Win

Even though the publisher who asked for my novel-and took four months to reject it-isn’t a major publishing house, they do have a presence in bookstores, with libraries and with major review journals.

roanepublishing_1399215274_75My best success with hearing back in a timely manner from publishers has come from small publishers, like Roane Publishing.

We can speculate that this is because they don’t receive the same quantity of queries and manuscripts as agents and larger publishers. While this might be true, they also have a much smaller staff. In fact, Roane’s staff is spread all over the world.

Imagine conducting your business 100 percent virtually. When you have an editor in New Zealand. You’re awake? Well she’s sleeping.

Whatever the reason, I give the award for treating authors respectfully and professionally to these small publishing houses. Kudos to you for making writers feel like they aren’t submitting into a void.

Someone is actually reading those queries and sample pages. Even if they aren’t buying it, they’re reading and

Without authors, there’d be no publishers – Roane Publishing

At the moment, I’m writing again (actually rewriting and then editing). But then I’ll begin part one of my the never-ending game: waiting for beta readers to read and comment on my early draft.

How are you at the waiting game? Have you ever experienced the “no news is good news” phenomenon?

 

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