An American Author in Canada

Authors take vacations, but sometimes they aren’t for avoiding the keyboard. This author travels occasionally with her engineer husband, and most of the time those are working vacations.

What? It’s not vacation if you’re working.

Maybe you’re right. Or not. The third definition for vacation at dictionary.com says: “freedom or release from duty, business, or activity.” In this case, I’m freed from my household duties and my regular activities for a specific purpose: to incite creativity.

Creativity and Canada are a decent mix, I’ve decided.

High Hopes

Sometimes I spend too much time inside my office. The lovely walls with all their inspirational sayings and plaques of my book covers move like a trash compactor (picturing a scene from Star Wars IV here).

Even when the sun pushes back the gray clouds, all I see are the words that need to be rewritten or revised or edited. The list of projects in mid-completion expands to block out everything else.

In short, the creative space I’ve slaved to build in my home office (and on my back patio) works against me.

This is when I need a change of scenery. Sometimes going to the coffee shop works. Or I’ve plugged in at the library.

But in light of the daunting tasks facing me in the months ahead, my muse begged for something bigger.

So when my husband told me he had a conference in Vancouver B.C. and asked, “Do you want to come with me?” I jumped on it.

All I was hoping for was a new view outside my window, a touch of sunshine and maybe a little magic in the air.

Reality Rules

Several people gave me ideas of things to do while I visited this Canadian city. I smiled and nodded, listening but thinking, “I’m not going there for a relaxing vacation.”

No need to rain on their good advice. I even checked into a bicycle tour of the city because that’s something I’ve decided I will do if I go to Europe with my husband on a business trip. It’s a great way to breathe foreign air and glimpse the local sights, all while stretching the flabby muscles in my legs. Sounds like a win-win-win to me!

The weather app (who needs a weather man when you have a smart phone) advised me that it wouldn’t be sunny during my stay. But the first couple days wouldn’t bring precipitation either.

I could deal with that. I’d be able to get outside and walk along the harbor which is only a block from the hotel. Fresh foreign air: check.

Of course, spending time isolated in a hotel room to write isn’t the same as writing in my office. The maid wants to come in and clean. There isn’t food and water close by to keep me fed and hydrated.

And there are no cats to assist me by climbing in my lap and scrubbing their chin over my typing fingers.

The lobby in the hotel has a small area that would work for writing, but it’s pretty busy, and I’m a person who prefers silence during certain stages of writing.

Was this going to be a bust after all?

Expectations Exceeded

Here’s what I wanted to accomplish on this vacation: draft the third installment of my sweet contemporary romance series.

That meant 20,000 words in four days, which is about an average accomplishment for me when I’m in the drafting phase of a story. Five hours of writing per day equals 5,000 words.

Of course, I only had three days in Vancouver. The Monday and Friday of the week were travel days.

Monday was sunny and gorgeous when we arrived. Much better weather than in Portland when we left at 4:30 in the afternoon. My muse perked up her ears and gazed out the window on the cab ride from the airport to the hotel.

Priorities:

  1. Find a place to get coffee and breakfast (sorry, Marriott, I’m not paying $20 to eat breakfast)
  2. Scope out restaurants with great people-watching views for budget-friendly lunches
  3. Set up a snack-stocked writing area at the desk in the hotel room

Oh, Starbucks, how do I love thee? I know plenty of people aren’t fans. Fine. But for less than half the price of the Marriott offering I get a mocha grande (non-fat, no whip) and a yogurt, fruit and granola parfait. Sounds like the perfect breakfast to me.

Better yet? It’s directly across the street from the hotel.

Three blocks down, I locate Waterfront Food Court. Yes, it’s exactly what it sounds like: a mecca of variety in eats and bountiful bodies to watch.

Day one, I enjoy falafel and Greek salad while reading on my iPhone and stealing glances at the people flooding through the seating area. Day two, should I eat salad or grab a slice of pizza?

I love having choices.

I packed healthy snacks in my suitcase, but my husband didn’t want me to starve. So he snagged a bag of pretzels and white cheddar popcorn from the offerings at his conference. (I’m pretty sure the popcorn is for him since I don’t like cheese on mine.)

All three priorities met. Better yet? The walkway along the harbor was better than I imagined. Check it out.

Look! Canadian Geese in Canada.

 

Pedestrians on the left and bicycles to the right. Ingenius!

Yes, there are TWO lanes on the path. One of them is for foot traffic and the other is for bicycles (and a few in-line skaters whooshed by, too).

I wanted to share my thoughts on the city, but my post is getting long. Look! A topic for a future post. SCORE!

Is there such a thing as a working vacation for you? Or does it have to be about relaxing and sightseeing?

When I Want to Relax

Some people go on vacation to “get away from work.” Or to experience some new and exciting place. Maybe they want to have once-in-a-lifetime adventures. While I might want a little of those things, sometimes I want to do nothing…and relax.

Relaxation takes many different forms depending on the person.

There are some people who run five miles to relax. Others want to chiropractor to adjust their joints and then they’ll suck down a gallon of water and hang out in a hammock.
In fact, I find many things can be relaxing. For example, I might relax while: getting a pedicure, getting a facial, having a massage, sitting by the pool, reading a book, walking on the beach (or pier or a trail) and even riding horseback. But do I have to do any of those things in order to relax?
Let me phrase this another way: can I kick my stress to the curb without doing anything special?
Like so many other things in life, de-stressing (isn’t that the essence of relaxation?) is all about mind over matter.

My Mind

As a creative person, my mind is a hive of activity. There are many memes I’ve seen that illustrate this fact, but this is my favorite one:

Because most of the time, if I appear to be staring into space, I’m likely in an alternate universe. One I’m creating and populating with people I’ve dreamed up to face all sorts of situations I’ll never face.

Often my eyes will be closed but my mind will be spinning at a million electric charges per nanosecond. Yep, this old brain is one speedy computer.
Which means it rarely shuts down.
Many authors will tell you they’ve vividly dreamed many of their best stories. They wake up and try to regurgitate the brilliance onto a page before it dissipates with the morning mists.

Yes, even when I’m asleep, mental gymnastics continue.

So how can I ever relax? Where’s the shut-off switch for this thing?
Can I truly rid myself of stress if my thoughts continually roller coaster?
Mind over matter, my friend.
For me, it’s all about WHAT I’m thinking about that determines the quality of my anxiety.

It Doesn’t Matter

In order to dump my stress, I have to actively convince myself that the things hammering away in my brain like an overzealous woodpecker, aren’t important enough to think about. AT THIS MOMENT.
In effect, I convince my mind to reschedule contemplating the stressful items to a later date. Say, Thursday morning…when I’m vacuuming the house.
My query packet for my women’s fiction isn’t ready to submit on June 1. It doesn’t matter. You can think about it May 30th.
Are those sample pages from my nonfiction book enough to convince those agents to request all three chapters? Will they contract me to write the book? Am I ready to delve into the depths of my grief to pen those pages? It doesn’t matter today. I’ll find out in August.
How about creating something new? Maybe just a short piece that you don’t intend to publish? Or the opening scene for the short story you imagined during your girls’ weekend last month.
The cats could be tearing apart the house while I’m staring at the misty horizon at the western edge of the earth.
Look at the shades of blue in the Pacific Ocean and the sky stretching above it. Feel the pounding of the waves against my tattered soul.
The projects and deadlines and considerations for my author world will still be waiting in my office when I get home from this short retreat to the Oregon Coast.

Today, those things don’t matter.

What matters is the taste of the salty breeze, the scattering of seagulls in the surf and the sting of sand blown against my bare calves.
That’s the way I use my mind to subdue the thoughts that would infuse stress into a day meant for relaxation.
Does mind over matter work for you? What is your picture of true relaxation?

Crime Against a Creative Spirit

Legislating away my right to create is criminal. Sometimes its the weather or circumstances that commit the crime which freezes imagination. Might as well hit it with liquid nitrogen.
Creativity holds an artist hostage. It plagues the mind at inopportune moments (like when I should be sleeping). The very element of creating can wind up like a fast-pitched softball and, if released too early, peter out short of the plate (our expectations).


Lately, I’ve been keeping up with one of my betterment goals designed for No Fear this Year. It involves reading an inspirational book before bed at least four nights per week.
The current read looks to link creativity and spirituality. It’s an interesting connection, but I’ve yet to sell myself on its reality.

The Difference between Soul and Spirit

Even though my title mentions the creative spirit, I believe creativity emerges from my soul.
The soul is the part inside me that makes me have the character, personality and world views that distinguish me as an individual. While I strive to grow my character to look like Jesus Christ’s, I’m certain my personality is not a thing like his. Because I’m a woman living in the 21st Century, my world view looks completely different, too.
On the other hand, the spirit in me is what makes me alive. It’s the breath of life that God gave Adam on the day of his formation. It’s the thing that keeps my heart beating and lungs working without any conscious thought on my part. And if the spirit of life leaves, then those automatic functions stop, too.
Therefore, I believe the soul is the source of my creativity and the spirit the source of my existence.
Can creativity be linked to spirituality then?

The Difference between Heart and Mind

There’s another level of personality that I see as diverse. Decisions I make might originate in the heart but are carried out by the mind.
The heart is the seat of my emotions. This is where I feel the death of the hunting dog in Where the Red Fern Grows. It’s where disgust over political lies or ire about injustice kindle and ignite.

Is this linked with creativity? Is creativity all about emotion?

My mind is where reason holds court. It listens to the exclamations and rhetoric of the heart’s reactions, and it weighs that in my soul’s world view balance. If it deems there is sufficient reason to act, the mind wills my mouth or body to do so.
I hope my mind is engaged when I’m creating. It should be running the show when I’m worshiping, too.
In this case, I believe both the mind and the heart are involved in pursuits of creativity and spirituality. Things that are emotion-driven might seem to come from the heart, but the heart is only a messenger. It can’t act apart from the mind. (Although there are times when I let my heart lead and wished I’d thought things through a little better.)

Creativity or Spirituality?

This brings me back to my original inquiry. Is there a link between my creative self and my spiritual self?
Unless I’m two people, there’s a link. It’s me. My individuality that shines forth through my lifestyle.
Can the spirit operate on it’s own? Or is spirituality tied to every facet of life because it is the seed of life?
If only I had the answer. Perhaps when I finish the book, I’ll know for certain if these two aspects of my being are related. At times, I’ve felt deeply spiritual while being wildly creative. However, there are plenty of instances when I was quite spiritual without a creative thought, and creating like mad without being spiritual.
I believe that means they aren’t mutually exclusive. Perhaps I would be more creative if I focused wholly on strengthening my spiritual side. But am I less spiritual when I set my imagination free?
The truest crime against my creative spirit is giving it a question like this that has no definitive answer.

Do you think creativity and spirituality are linked? What drives your creative spirit into hibernation?

Fantasy: An Anniversary

It’s hard to believe that one year ago, I made my splash as a published fantasy author. (And by splash, picture a pebble dropping in Crater Lake.)

Masked Hearts still has one of the most beautiful covers I’ve ever seen. Yes, it’s my favorite among my titles.

If you’ve read the story, I hope you left a review. Reviews put royalties in a writer’s pocket. Even if all you say is: “Elves and humans should always hook up. Read this and you’ll know why.” And give it a few stars.

If you haven’t read the story, here’s the excerpt I shared last year when it first released.

Agent Camden Kerr shoved his fingers through his hair, long layers, mussy. Nothing like he’d worn when soldiering full-time. Staring into the nearly spotless icebox encouraged his stomach to growl. Looked like he needed to grab groceries or head out for dinner.
He shuffled across the kitchen. As his hand covered the coil of keys holding down the newspaper he’d yet to read, a click from the hallway stopped him. He tilted his head toward the sound from the laundry room, and his right hand sneaked along his chest until his fingers rested on the handle of his service sidearm.
Service. As if working as a Recovery Agent for the Magical Artifact Reclamation and Quarantine Society amounted to service. That bunch of stingy, wealthy sponsors had some interesting conspiracy theories about magic. Working for MARQS hardly gave him the same feel-good sense of accomplishment he’d felt while recovering stolen weapons, formulas and documents for the government.
Woodsy air wafted into the room. Hair on the back of his neck prickled. If they were in his office, he knew exactly what they were after. But how did they find him? He’d been careful when he’d lifted the medallion from the evidence room at the police station. Seriously. A drugged-up prostitute shouldn’t have anything so valuable in her possession in the first place. Whoever killed her hadn’t known what it was, or the police wouldn’t have been bagging and tagging it with regulated routine.
Cam eased the gun from its holster. His booted feet slithered over the kitchen tiles as silently as a rattler on rocks. Waiting for his eyes to adjust to the dim light wasn’t an option. He had a better idea. A grim twist of his lips, and he slammed open his office door with his shoulder, smacked the light switch beside it with his left hand.
“Hands up!”
A slender woman with eyes glittering like emeralds twisted toward him, hands flailing toward the ceiling in a hypnotic, graceful arc. Her chin was a sharp point in her heart-shaped face. High cheekbones, slashed with ruddy shades of sunset, offset her peachy complexion. The mass of beige blonde hair topped off a perfect picture.
“Where’s my brother?” Her accented English wasn’t difficult to understand, its cultured tones free from panic.
His fingers tightened on the pistol’s grip, index finger straightening away from the trigger. He raked her lithe figure with a single glance, noting no suspicious bulges to indicate a concealed weapon. The rise and fall of full breasts beneath some sort of leather tunic didn’t escape his attention. Or the slender legs encased in form-fitting leather, down to the moccasin-like booties on her narrow feet.
“You’ve got the wrong house.” Cam kept the gun aimed center mass, even as he felt the tension drain from his shoulders.
“I don’t think so.”
She shifted away from the desk. Cam stiffened again, finger dropping onto the trigger, eyes honing in on his target.
And a fine-looking target, too. Messing up that chest with an armor-piercing round would be a total waste.

Can’t wait to read more? Click here and purchase it from my publisher, or click the “other retailers” tab and find it there.

If you can’t get enough of my lovely elves, you can get to know Alyona’s footloose brother for FREE in this novella.

If this post appealed to you, you might like Hero Delivery. It’s a bulletin with deals and specials from Sharon Hughson. It can be on the way to your inbox in a few clicks.
Check out Reality Meets its Match and my other books. You’re sure to find something worth reading.

Already read one or more? Please leave an honest review on your favorite site. Those reviews are the same as the author discovering a gold nugget in the bottom of her washing machine.

Two Paths to Publishing: Which is Right for You?

This blog has often featured articles that writers might find helpful. Not because I’m an expert on this whole “writing gig” but because I’ve done some digging. I want your road to publishing to be smoother than mine has been.

One of the big questions I still find myself debating is about HOW to get published. Should I take the traditional path? Or should I self publish?

Recently, one of the writing teachers I follow wrote a long blog post on the subject. The teacher is Tim Grahl and you can read his post here.

Not that I’m trying to convince you not to click over to Tim’s site, but the post is LONG. And I can sum it up in two sentences.

If you want someone else to do the work of publishing your book, you want to go traditional. If you want to control all of the ins and outs, and don’t mind spending time as an entrepreneur, self-publishing is probably the road for you.

Too simple? Yeah, that’s what I thought too.

Traditional

This used to be the path of “authentic” authors. But it’s a LONG and arduous path with a lot more querying and pitching than actual writing.

Here it is:

  1. Write a book
  2. Revise, edit and polish the manuscript
  3. Research agents and publishers
  4. Craft a killer query and synopsis
  5. Start emailing your query to the members of your list
  6. Attend conferences to pitch agents and editors in person

Don’t sit around and wait, my friend. You’ll grow old and might ruin your computer from repeatedly clicking the refresh button on your mail inbox.

Once you send the queries out, it’s time to begin writing something new. Authors from either path agree on this.

Self-Publishing

This used to mean your manuscript couldn’t get past the gatekeepers. Let’s be honest, we’ve read some books that weren’t publish-worthy by snagging up free reads on Amazon.

But there are plenty of books that debuted as self-published and made their way into a movie deal or a television series. I’m thinking of The Martian not 50 Shades.

The traditional path generally takes long and probably won’t net you as much of a return on a “per book sold” basis, but check out all the steps for self-publishing:

  1. Write a book
  2. Revise, edit and polish the manuscript
  3. Research editors
  4. Hire an editor
  5. Research cover designers
  6. Hire a designer
  7. Fix manuscript according to editors suggestions
  8. Hire a proofreader
  9. Deal with changes to the cover
  10. Upload the final products to your publishing platform of choice
  11. Figure out how to market the book

Yes, I could have added a step for researching and hiring a formatter because it isn’t as easy as one might think to get the book ready for publishing. But it can be done with a minimum of hair pulling and several review phases with CreateSpace.

I’ve been guilty of including my small indie publisher in it’s own realm because it doesn’t require the wait times (nor have the distribution) of the big publishing houses.

There is a third path. It’s the one I’ve been traveling for the past three years.

Hybrid

I have manuscripts I’m actively trying to sell to agents or publishers. This is me on the traditional path

I’ve contracted many stories and novellas with a small publisher, so this is probably me on the traditional path, too.

I also have a novella and two Bible study books that I published myself using CreateSpace.

Some authors have books on Amazon they’ve published, and then they sign with a big house and contract for other books that will soon be on Amazon under that publisher’s control.

Either way, that’s the hybrid path. You aren’t sold on getting published ONE way.

Although Grahl suggests giving yourself a year on a path before deserting it, I think you can walk the middle line as a hybrid author. You’re likely to discover which trail appeals to you and you’ll see your name in print rather than waiting for an acceptance letter from an agent or publisher.

Maybe it really is as easy as deciding if you want to spend your time writing (and marketing because you do that on either road) or if you want to embrace the business side of publishing while you’re writing.

What experience do you have with publishing paths? Do you have other advice that will help muddy clear up this issue?

Now available

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Already read one or more of my books? Please leave an honest review on your favorite site. A review is the same as the author discovering a gold nugget in the bottom of her washing machine.

What’s this Kindle Worlds Thing?

I’ve never been a huge fan of fan fiction. I like to come up with my own story, thanks so much. But when I was invited to write in an author’s soon-to-be-formed Kindle World, I suddenly had a different thought.

Or twelve. You know me, I rarely think about only one thing at a time. And one thought leads to another and before you know it COOKIES!

Now, back to this Kindle Worlds thing.

Amazon Gets Bigger

I first noticed Kindle Worlds when an author I like (paranormal romance) released a new book in “The Runes Universe.”

Now, I’ve also read a couple books from The Runes series, and I found them good, but a little too shallow and predictable for me. They are young adult paranormal romances, after all, and they are a huge hit with the teenage girls they’re written for.

But I haven’t been a teenage girl for a few years. (Stop rolling your eyes, Darrin!)

What Amazon has done is ask some indie authors (don’t ask me how they decide but I’m guessing it has something to do with sales) to turn their fictional worlds into a place where anyone can contribute stories. The original characters can be used by these new authors, but they should not be the major players.

Furthermore, this universe is suddenly a sandbox that only Amazon (specifically Kindle Direct Publishing) has rights to play in. If you submit a story into the universe, you relinquish rights to it forever.

Most authors just shuddered. But I’m not worried about this at all. I’ll still own the characters, and if I fall in love with them, I only have to move them to a different setting and I can write about them for eternity.

The benefits of publishing in these Kindle Worlds during a targeted release blitz:

  1. A $250 bonus (to help offset cover design and editing costs-paid AFTER publishing)
  2. Amazon’s marketing power during the release
  3. Mention in the back of other books in the release linking you to the readers of many authors

For someone who hates to market, this really called to me.

Not Really Fan Fiction

This is how dictionary.com defines fan fiction:

a fictional account written by a fan of a show, movie, book, or video game to explore themes and ideas that will not or cannot be explored via the originating medium; also written fan fiction , also called fanfic

And I have to admit, I’m not necessarily a huge fan of the series of books that is the springboard for the Kindle World I’m planning to write for. That’s the biggest reason I don’t see this as fan fiction.

After all, all that happens is I put my characters into the town of Sweet Grove, Texas. The books need to be a sweet romance and since the world is called “First Street Church Romances,”  they’re probably going to explore inspirational themes or have Christian worldviews.

All of which is what I want to do anyway.

Am I deluding myself? Will people see this as fanfic?

Weighing the Pros and Cons

As always when I’m presented with a new writing opportunity, I pulled out my notebook and began scrawling out my thoughts.

Here’s an excerpt: “These are novellas-20,000 to 40,000 words-of sweet romance with some Christian influence. This could be a way to build my brand IF I’m going to write mostly inspirational romances after this.”

And with the power of Amazon behind each launch, I’ll pick up new readers. There will be people who buy everything they see, thinking it’s going to be a series they love.

Plus the author who originally invented Sweet Grove is a marketing professional, and she intends to push all the books with her considerable platform and influence.

When 100 writers jumped in with both feet at the idea, you know it’s a good one.

My lists were incredibly short:

Pros: inspirational; wide market range; connection at Amazon; free promo from Melissa Storm

Cons: romance; edit & cover costs; another distraction from “real” writing

But why isn’t this “real” writing? I have some sort of chip on my shoulder about inspirational romances which makes no sense. For a decade or more, that is ALL that I read.

Only now, I’m back to reading mostly fantasy. Romances are too predictable to me, so I don’t enjoy reading them as much anymore.

But there are millions of people who DO enjoy reading them. And they would read the ones I wrote because Amazon would make sure they knew about them.

So, what do you think I should do? Is it worth my time and effort to publish in a Kindle World?

Like reading this? You’re a click away from getting Hero Delivery,  a bulletin with deals and new releases from Sharon Hughson.
Maybe you like romance or see my other books. I’m sure there’s something worth reading on my page.
Already read one or more of my books? Please leave an honest review on your favorite site. A review is the same as the author discovering a gold nugget in the bottom of her washing machine.

7 Must-Ask Questions to Find Your Perfect Book Editor – Part II

 I hope you haven’t been holding your breath for a week waiting for the second part of Kristen’s post on finding the perfect editor for your book. Waiting with bated breath is good. Holding your breath for a week? Not so much.

Now here’s Kristen with the rest of the questions that will help you in your editor search.

Go for it Kristen:

Last week I shared four of seven questions every author must ask to find the perfect editor for your manuscript. The first four questions are easy, focusing on narrowing your search to editors who offer the type of editing you need, who specialize in your genre, who have experience, and who have a portfolio and testimonials for you to look over.

Now, we’re getting into the serious stuff. By the end of this, you’ll have found the editor that’s right for you.

5. What is the editor’s attitude?

Real talk: There are too many editors to settle for one that doesn’t contribute to a healthy author-editor relationship. When you make first contact with an editor, pay attention to how they communicate.

  • Do they have time to talk to you on the phone about your project?
  • Is conversation with them easy, and do you see eye-to-eye with your plans for the book?
  • When you ask about their experience, are they open and communicative?
  • Do they seem excited about your project?

The author-editor relationship is famously collaborative, meaning if you don’t feel your editor is onboard 100%, move on to the next option. Your manuscript is understandably an important project—and usually a major part of your life. It deserves the respect of an engaged, enthusiastic editor.

6. Does the editor offer sample edits?

As you narrow your search for an editor, you may find several editors that may be a good fit for your project. Getting a sample edit is often the only way to know for sure which editor is right for you. Most editors will be happy to do a sample edit of 500-1000 words on your manuscript—just ask! Once you get the sample edit back, ask yourself:

  • Did the editor’s sample edit make a difference in your novel’s excerpt?
  • Do you feel that the edited material reads better than the original?
  • Pay attention to the editor’s stylistic choices, such as using em dashes (—), semicolons (;), and italics. Do you like their style? Do you feel like it’s right for your book?

The best editor will be able to match your writing style, so all editing changes will be seamless to your original writing. The final result will be a beautifully polished book, highlighting your skills as an author. 

7. What about contracts and pricing?

Before making the final decision, pay attention to two more important elements: if the editor offers a contract or written agreement, and if the price is reasonable.

As a book editor, I require a contract with every project, which provides the details of any editing project in writing, including the payments, editing services provided, and a confidentiality agreement. At the very least, protect yourself and ask the editor to provide a written agreement prior to you submitting payment or your manuscript.

Finally, the old adage “you get what you pay for” is true when it comes to selecting a book editor. The Editorial Freelancer’s Association’s Editorial Rates Chart is the gold standard for how much editing should cost, so make sure your editor falls in the ballpark. Generally, more experienced editors will charge more, while less experienced editors will charge less. You get what you pay for.

BONUS: Editing company or freelance editor?

Your search may turn up freelance editors, or editing companies—big difference between the two. Editing companies can have five or more editors on staff, several of whom will be working on your manuscript. Although multiple eyes on a document can be a good thing, conflicting editing styles and an inability to communicate freely with your editor may turn some authors off.

Generally, freelance editors own their own companies, take on fewer projects, and are the sole editor of your manuscript, meaning you’ll be working with one person (the editor) throughout the entire process. You’ll get to speak directly with the editor you’re working with and form a personal connection with her. That personal connection I make with the author is why I will always be a freelancer. Maybe I’m just biased. 😉

When you hire an editor, you’re paying them thousands of dollars and giving them the power to improve or destroy your work. Choose wisely!

Book manuscript editor Kristen Hamilton is the owner and sole employee of Kristen Corrects, Inc. , which provides manuscript editing services. Working independently allows Kristen the opportunity to interact with clients and provide them personalized service. There is nothing better than communication and friendliness in a business world that is slowly becoming less focused on people. 

Kristen is included in the 2014 Guide to Self-Publishing and the 2015 Guide to Self-Publishing, both published by the prestigious Writer’s Digest. She is also part of the credible Writer’s Market, Publishers Marketplace, and Editorial Freelancers Association and plays a pivotal role as senior editor at Modern Gladiator magazine.

Reading is Kristen’s passion, so when the workday is over, she can usually be found curled up with a good book (alongside her three cats, Sophie, Charlie, and Jack). She loves pizza, cat videos, watching The Bachelor, and traveling, and is likely planning her next vacation. She lives outside of Boise, Idaho.

What are your personal experiences in working with editors? What advice can you offer readers?

Cover Reveal for Virtual Match Sequel

My readers met Ronnie Shay on April 1, 2016, and they delved into her online romance with Marcus Jordan. Who knew geeks could give girls heart palpitations?

(Uh…ME. I’m married to a computer engineer. I know my handsome, hunky geek quotient.)

The biggest complaint from readers of that early story: it ended to soon.

When my publisher introduced a new line of e-book only novellas, I made some changes to Ronnie and Marcus’ story and submitted it with a new title Reality Meets its Match. My Virtual Match-sters launched the new line with grace (if not gracefulness, Marcus is a bit klutzy you know).

But the new readers weren’t any happier about the way the book ended. “We want to know more.”

“Things were just getting started with them.”

“What happens next?”

And by the time the novella released with Roane, I had drafted a sequel.

Now I’m happy to share with you the amazing cover for the next installment of Ronnie and Marcus’  romance, Reality Bites.

 

Release Date: July 24, 2017

Blurb

Ronnie wanted a Virtual Match, until she fell for the guy on the other end of the texts and emails.

After real-life dating for only a few weeks, things start to heat up. Ronnie’s crazy family gets crazier, and her therapist gives her an ultimatum.

Marcus teeters on the edge of falling in love, but when he learns Ronnie’s secret, he’s afraid of moving too fast. The idea of life without her terrifies him more than anything, but it seems like she’s closing him out. After all she’s been through (and going through), he can’t blame her.

Ronnie runs back to the safety of her career, but can her heart ever be free from what Marcus has awakened? And will he let her go?

Still haven’t read book one? Get your copy here.

Now available

At this time, I’ve got the third novella planned out but I’m not writing it until closer to the release date. AND those who sign up for my newsletter (click here if you want to do that) will get a few teasers from both the second and third books, maybe even before my publisher reads the third one.

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7 Must-Ask Questions to Find Your Perfect Book Editor – Part I

Today’s post is written by my friend, a book editor, Kristen Hamilton.  She’s going to enlighten us on how to find a perfect editor for our book.

Here’s Kristen…

Imagine this: You’ve finished writing and self-editing your manuscript and are ready to hire an editor. You type in manuscript editor on Google and are overwhelmed by the results—over 95 million. You e-mail several book editors, not really knowing what you’re looking for, and choose one at random, possibly the cheapest one or the one who has the best looking website. Then, after spending thousands of dollars, you’re unhappy with your book and, discouraged and disenchanted, you shelve your book and never publish it.

Just as the market is saturated with books, it’s also saturated with book editors—some good, some not so good. Although every editor has something positive to bring to an author-editor relationship, some editors will undoubtedly be a better fit for your manuscript.

How do you find the right book editor for your manuscript? You just need to ask yourself the right questions.

1. What type of editor are you looking for?

Are you happy with your book’s overall structure? Do you feel like something’s missing in the storyline? Do the sentences have good rhythm and flow? Most books require three distinct stages of editing:

  • Substantive or developmental editing focuses on the big picture of your novel: addressing character development, pacing, plot holes, and loose ends.
  • Line editing looks for improving sentence structure, readability and flow, consistency and clarity, and logic and sense of scenes.
  • Proofreading is the last check for surface errors including spelling, punctuation, grammar, word choice, and syntax.

Some editors only provide one or two of these services, while others are specialized in all three. Of course, each editing service will be a separate pass through your manuscript. The more times your editor goes over your manuscript, the more errors that will be caught. A good editor will be able to guide you to choose which editing services are right for your book.

2. Does the editor specialize in your genre?

Once you find a competent developmental editor, line editor, and/or proofreader, narrow down the results a bit more by genre.

Most editors specialize in a specific genre. Cookbooks, crime thrillers, general fiction, or memoirs are all highly different types of books, and need different elements to succeed. Naturally, the more experience the editor has with that specific genre and type of editing, the better hands your book is in. And while there are no guarantees that your perfect editor will transform your book into a bestseller, an adequate and competent editor will certainly improve your manuscript.

3. What is the editor’s experience?

Once you’ve narrowed the pool of editors to a select few who offer the type of editing you need, check that the editor is qualified with a degree in English, writing, or a related field. While years of on-the-job experience will help hone an editor’s skills, nothing can replace the specialized learning that comes with earning a degree in the field. Any qualified editor will also be a member of the Editorial Freelancers Association, and you can search the database of editors here.

Unfortunately, uninformed authors can easily choose a really, really terrible editor. Beware of editors who don’t have a lot of experience, who have extremely low prices, or who are just plain…sketchy. There have been countless times I’ve accepted a new client who was burned by their previous “editor,” where the editor took their money, did minimal edits, and left a very dissatisfied author and an incomplete manuscript. Yikes.

4. Does the editor have a portfolio and testimonials?

This one’s easy. Check out the editor’s portfolio and testimonials from previous clients—a reputable editor will have these clearly listed on their website.

Take it a step further and read reviews on the books they have edited. If there are complaints of misspelled words, poor editing, or a confusing storyline, move on to the next editor. Your book is too important to put it in the hands of a sloppy editor. If possible, ask to contact an editor’s previous clients. Were they happy with the editor’s work? Would they hire them again? Previous clients’ testimonials are one of the best ways to vet your future editor.

This is just scratching the surface of what you need to do to find the perfect book editor for your manuscript. Check back next Thursday, where the final three questions will be addressed, helping you to find the perfect editor for your book.

Book manuscript editor Kristen Hamilton is the owner and sole employee of Kristen Corrects, Inc. , which provides manuscript editing services. Working independently allows Kristen the opportunity to interact with clients and provide them personalized service. There is nothing better than communication and friendliness in a business world that is slowly becoming less focused on people.

 Kristen is included in the 2014 Guide to Self-Publishing and the 2015 Guide to Self-Publishing, both published by the prestigious Writer’s Digest. She is also part of the credible Writer’s Market, Publishers Marketplace, and Editorial Freelancers Association and plays a pivotal role as senior editor at Modern Gladiator magazine.

Reading is Kristen’s passion, so when the workday is over, she can usually be found curled up with a good book (alongside her three cats, Sophie, Charlie, and Jack). She loves pizza, cat videos, watching The Bachelor, and traveling, and is likely planning her next vacation. She lives outside of Boise, Idaho.

What questions do you have about finding an editor?

The Author and the Creative Writing Class

It’s rewarding to walk into a classroom and have a student say, “You’re the published author.” For someone whose dream is to write for the young adult audience, it’s especially thrilling.
I would know. I do. And it happened to me.
The next words from this thrilled student’s mouth? Care to guess?
“What did you write again.”
Yep. The face was memorable but the book title was not.
Although, several students recognized the cover of the book I had discussed with them in November, months before.


And then there was the creative writing class.
What I Expected
When the middle school English teacher gave me “freedom” to teach whatever I wanted to her creative writing class, I smiled. Maybe I sent the clouds scurrying from the radiant beams of joy.
“We’re finishing up a unit on mystery and suspense,” she wrote. “They have stories to read to the class.”
Long stories. I was impressed.
The fact many of the stories read more like horror? Not as impressive to my anti-scare self.
Based on the reaction from the regular English students (noted above), I expected the writers to fall all over me.
Not even a smile when I mentioned I was a published author. Oh-kay.
I did get a positive reaction when I told them we wouldn’t be moving on to the poetry writing unit. Cheers all around.
When I offered to comment on their rough drafts to see if they might want to make changes before they turned the story in two days later? Not a single taker.
My published status meant nothing to these young writers.
“I would have flipped if a published author offered to read my stories,” a little voice inside me whined.
Reality Bites
The forum the teacher used for sharing the stories invited only positive comments once the author finished their reading.
“I liked the description.”
“Loved how real the characters were.”
“You did a great job building tension.”
Sometimes what they said was even true.
I itched to mark up these stories. Several of them had great premises. Others were a mashup of every police show and horror movie the student had seen.
My lips were sealed.
And I didn’t get to comment on even one story of the nine that were read over the first two days I worked in the room.
Happily Ever After
None of these stories had a happy ending. Apparently, suspense stories involve the narrator dying (in two cases), lots of minor characters’ deaths (in over half the stories) and fathers who were really mass murderers (in three instances).
Yikes! Should I report this to the authorities? Perhaps these stories had a hint of auto-biography in them.
I offered the class two choices for our Friday writing activity. As I expected, they chose the “finish the story” write around.
I selected nine young adult genres (not mystery or suspense), and wrote down a first line. Most of these I took from published books of that genre. A couple leapt from my imagination reservoir.
And they wrote.
But the suspense unit was still too fresh in their minds. With the exception of a few stories, the variety of authors chose to steer the contemporary diary toward suicide and murder. In fact, the actual horror story was less horrifying than some of the others.
On this occassion, however, a few of the students asked me to “finish” the stories that didn’t find resolution.
There were three. Two of them didn’t involve murderous parents or homicide in any form.
It was great fun pulling all their threads together. My favorite? The fantasy, of course. Although the steampunk story had a more interesting plot line.
An author teaching creative writing might not be the smooth fit you’d imagine. Even if imagining is what you do for a living.

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