Category: Writing

Three UNEXPECTED Pieces of This story

The days of telling stories just to free them from the overcrowding inside my brain has past. And still, when I write something out of my norm it makes me nervous.

Enter the short story “Unexpected” coming in August. It’s one of four stories in the ONE SULTRY DAY anthology from Roane Publishing.

No, this isn’t an apology for my “outside the norm” writing.

Yes, I hope you’ll enjoy reading it with the same sense of expectation as other stories I’ve written.

This post gives a short list of what’s different about “Unexpected.”

An Unusual Shero

Most heroines-she hero or shero-are slender girls with the usual curves and model-length hair. It’s what romances are made of. Right?

Not this romance. My shero is tall and stocky. When she runs into the hero, it’s obvious that she outweighs him. He might even be staring UP at her.

Whoops! She’s also athletic and tomboy-ish.

Okay, there’s nothing wrong with these things. But they aren’t the norm in romance. Women look up to the man. He’s stronger than her.

I’m all for breaking stereotypes but I hope I don’t go too far with Ivory Konner.

An Unlikely Hero

As you can see, the hero isn’t the alpha manly type. He’s gangly and thin and has a pasty look about him.
It all makes sense when you learn his backstory. But that’s not all the issues I’ve given him.

Prescott Colyer is sensitive to touch. In fact, when he comes into contact with another person, it burns him. (Read the story to learn why this is so.) I took many of his responses from those I encountered while working with autistic students.

But I didn’t want him to be autistic. He is ARTISTIC, but that’s a whole other idiosyncrasy.

New Adult Tropes

The first couple short stories I wrote dealt with new adult tropes. Even though that’s only been a few years, new adult has fallen into disuse.

What can I do? The central problem for both of my characters revolves around their decisions for their future. The fact their parents disapprove is something that draws them together.

But it’s realistic to think it will also drive them apart. That’s how it works in the real world.

After publishing novellas with middle-aged main characters, this story feel like a stretch.

An entire post airing my insecurities. This is what it’s like every time I put another story out into the public eye.

What are your favorite sorts of characters to read about? What’s more important that you can relate to their issues or that you believe their problems could be real?

Note: If you want to read another excerpt from this story, join my Facebook “Friends & Fans” group. I’ll only be posting excerpts and giveaway details there from now on.

Another Note: There will be a giveaway associated with this books release. It will run from August 6 – August 26. The prizes are a $10 Amazon gift card and three eBook copies of ONE SULTRY DAY (four separate winners). Have you joined the Friends Group yet?

Have You Had Enough of Me Yet?

A deluge of sales promotions, newsletters and reminders to check out the latest and greatest overflow your email inbox. I get it. The same thing happens to me. You’re probably sick of reading another post from me so soon after the last one.

Now you’re in luck.

Starting this month, I’ll be reducing the number of blogs I post each week to…one.

That’s right.

Even though I’ve been told to update my website with new content several days per week, I’ve decided that my days of blogging are slogging.

One thing that convinced me to make this move? This article by Writer’s Digest writers.
I’ve been slacking a little more each month. It’s been a chore to come up with content I think might interest you while still working at the school and writing new fiction.

According to the writing professionals at WD, new readers aren’t going to find me through my blog. And those of you who enjoy reading my fiction aren’t all that interested in following my blog.
So why am I blogging again?

To give my URL traction with the Google search engines.

I’m not even sure that’s been happening.
As much as I’ve been struggling with the stories, it’s been even more of a chore to find interesting tidbits to post here every week.

And writing shouldn’t be a chore. Not in any form.

But I want to connect with people who are actually reading my writing. In all the years I’ve blogged regularly (and there are YEARS worth of content on this site), I’ve never had a conversation in the comments of my blogs. People comment on the shared links on Facebook. Or maybe send a private message.
The comments here are scarce. Which leads me to believe that this isn’t the best forum for connecting with my audience.
I’ve started a group on Facebook. If you want to talk about my books, give me advice on what to write next and learn about upcoming releases and sales, click over there. Join up, my friend, and let the conversation begin.


Starting today, you’ll only see posts from me every Monday. Unless you’d like to see them on Thursday?
Okay, next week I’ll post on Thursday (but that’s the day after a U.S. holiday this week). Maybe I’ll check my site stats after that and determine if more people visit when I post on Monday or Thursday.
Or is there another day of the week you’d like me to post?

Who’s Ready for A VIRTUAL LOVE STORY?

I signed the contract for my first full-length novel a couple weeks ago. The Virtual Match novella series put me through the wringer to become a novel that the same publisher will release ONLY in paperback.

Thank you Roane Publishing for believing in this story! I hope the readers of the novellas who complained about not getting to know Marcus well enough or wanting a real happily ever after will appreciate the 20,000 words I added to make this story complete.

And, yes, much of that is from Marcus Jordan’s perspective.

Here’s the lovely cover.

And now the blurb:

A devastating secret imprisons her. Veronica Shay bemoans her mother’s insistence that love will complete and fulfil her. The Virtual Match Ronnie hires might keep the matchmakers at bay if she can protect her heart from the man behind the texts.

Marcus Jordan, haunted by past relational failures, bumbles in Veronica’s presence. When opportunity presents itself, he poses as her virtual boyfriend. They forge a relationship, but is it built on lies?

When they meet in person, Ronnie can’t reconcile the lies with the truth in her heart. And Marcus can’t maintain the digital image he’s created.

Desperation drives Ronnie to set up a real date with Marcus, but nothing involving her family is ever easy. After her therapist gives her an ultimatum and her family gets horrible news, she’s ready to head back to the safe-haven of a career-centered life.

But her secret is out. Marcus believes he can heal Veronica’s heart. He steps out on a limb to bring her closure, but the olive branch snaps. He plummets to a new low, alone and unlovable, fodder for the ghosts of his past.

Earthquake upon earthquake shakes Ronnie’s world. Can she admit that love is worth the risk? Is being virtually happy possible in the harsh glare of reality?

Look for this paperback on November 19, 2018, just in time for holiday reading.

In the coming months, I’ll be offering chances to pick up advance copies in exchange for an honest review. If you’d be interested in that, make sure you’re a member of my mailing list or my Faceback group. The announcements will only go out via those outlets. I’m limiting my blog to more creative nonfiction about my life.

No one wants to see a constant stream of promotions, am I right?

If you’ve read any of the novellas, what did you think? Would you invest in a paperback to get the rest of the story?

Amazon: Destroyer of Future Plans

I’ve never been one of those author with scathing commentary about the monopolizing power of Amazon’s book store. Instead I was all-in with several Kindle-only titles.

Then they pulled the plug on Kindle Worlds.

At the moment this was announced, I was begging beta readers to return their comments on the third book for the series published in this universe. That story was planned to release in less than two months.

The day after the announcement, I got my royalty statement from Amazon showing the first month when two titles were available for sale. It was great. The sales had been strong and steady, more than anything else I’ve ever published.

Amazon was jerking the rug out from under my expanding readership.

Worse, I was positive that the introduction to this world and the amazing influencer who conceived it was the future of my writing career. At least for the next couple years.

Thanks, Amazon, for demolishing that business plan I made a week earlier.

But as much as this derailed my career planning, I knew the news was even worse for Melissa Storm.

I messaged her. I wanted to encourage her and let her know that no one was mad at her and we hoped we could still work together.

By the next day, she’d formed her own publishing company.

And why not? She has an incredible platform of followers. She launches all her new releases to the bestseller list.

Those characters I was dropping into Sweet Grove aren’t displaced after all. Their stories will be told.
*Shakes fist at Big Brother Amazon*
In the future, I might even explore some of the other shared series worlds she’s planning to launch along with Sweet Promise Press.

So if you’re an author, you should check it out. There’s a form to fill out if you want to write for her.

Those lines in my business plan that mention Kindle Worlds will have to be lined out. But those titles should still reach you.

In a few weeks, I’ll give you a glance into the next First Street Church novella. When I know the release date, I’ll pass it on.

Make sure you don’t miss any of these updates. Follow my author page on Facebook. Better yet, join my Facebook group.

It’s nice to know that Amazon doesn’t actually have the same destructive power of…Thanos. Indie authors unite with more strength than the Avengers, too.

Do you buy most of your books from Amazon? Is there any way we can curb their market share?

Ten Things to Know about Being an Author – Part Two

People want to know what it’s like to be an author. What it takes. How do I stay on track. It’s neither science nor magic, but it does take work.

On Monday, I listed five things to know about being an author. In case you missed that post (or you don’t remember), I’ll recap them.

  1. Traditional publishing is the slow track to being published
  2. Publishing with a small press is the fast track to getting work in front of readers
  3. Traditional publishing success is ninety percent about who you know
  4. Small press publishing is fifty percent finding the right publisher and fifty percent telling a good story
  5. Indie publishing requires both entrepreneurial finesse and cash reserves

To discover the ins-and-outs on each of those, read the full post here. Then come back to find out the next five things to know about this author gig.

Success as an indie author is ninety-nine percent connecting with the right audience.

I still haven’t found my tribe. But success can be measured by markers other than copies sold, numbers of social media followers and earnings.

Define success. Make this part of the business plan mentioned above.

Find promotions you can join that help you build your email list. Yes, you need one. Even if you don’t want to mail a regular newsletter, you need a way to let your readers know that a new book is coming, to ask for reviews and to sell copies. (This goes for traditional or indie published authors.)

The project that had me pulling my hair out was one I tackled for the sole reason of having a stand alone romance novel in print. This is the “entrance fee” for dozens of promotions I’ve seen. I couldn’t join them because I didn’t have a print book.

Building my tribe is also why I decided to write in the First Street Church Kindle World. The owner of that world is a marketing powerhouse. She leveraged her thousands of followers for us, and that’s worth signing over full rights to KDP for a few stories.

Some markets take longer to break into.

Young adult fantasy and any form of young adult literature is one such “competitive”market.

This is why I haven’t written any young adult fantasy in two years. I want to. I’m considering polishing up one of my manuscripts and submitting it to a small publisher I’ve been following for several months.

But I have to decide if that’s in the best interest of my business. If I love telling the stories I’m writing and they are connecting with readers, why shouldn’t I keep writing them?

To succeed, you need to partner with one or more influencer.

This is where I will praise Melissa Storm. She has a huge reader group that she mails to on a weekly basis. Other authors pay her to be promoted to her group.

I’m getting access to these groups just because I’m writing in her Kindle World. Since my first novella was published there in November 2017, my email list has grown from 39 to 185. Every subsequent title I publish in that world nets me more followers.

And many of these readers are connecting with me so they can review the books. Book reviews are the foundation for online sales.

The author gig requires business and marketing (sense)abilities.

Marketing. The thought makes my skin crawl. My introverted self retreats like a turtle in its shell.

Traditional publishers expect you to market your book by posting on social media, making appearances and having an email list.

You’re nothing but an amoeba in the sea as an indie author. There are plenty of readers. You don’t have to compete for them, but you do need to connect with them.

Ads on Amazon, Goodreads and in reader newsletters give you exposure to readers. Some of them want to chat with you online, and that’s what Facebook is for (as advertising here nets sketchy results compared to ads on sites where readers already visit and are looking for book recommendations).

Hire a marketing firm if you have the budget. I’ve bought several nonfiction books that outline the best practices and with each new book, I try to add another level of marketing.

It’s not my strength. I don’t even like it. But I can do a little and if I invest in the right areas, I’ll get a decent return on my investment,

It will take more than four years to “succeed” in either traditional, indie or hybrid publishing.

I haven’t arrived. I’m not a success, not even by my own flimsy definition.

July is the four-year mark of my author career. I still don’t have my first 1000 followers (what pros say you need to have a successful book launch).

I do have an impressive list of published titles. Check out my Amazon page to see them all.

Most of them don’t have enough reviews so I can join advertisers with huge lists, where indie authors find big sales and garner new followers.

I’m not giving up the dream. I have a plan and I’m working it. I’m learning to network more and refine my brand so it’s identifiable to the readers who are looking for me.

This list could continue. Each of these “lessons”could turn into a blog post. And there are dozens more things to know if you intend to be an author.

Four years ago, I claimed the title of professional writer, but didn’t see myself as an author. After all, an author needs to have a published book. An indie title that sold fewer than 200 copies didn’t count.

But it did count. All it takes to be an author is published work and the guts to own the title.

Author friends, what would you add to this base of knowledge? Reader friends, how do you prefer to connect with the work of an author whose stories you enjoy?

Ten Things to Know about Being an Author – Part One

Since shortly after I was old enough to read and imagine my own stories, I wanted to be an author. My first story was penned in a spiral notebook when I was in third grade. The past four years that I’ve been living the dream doing this author thing have been amazing.

And instructive. And painful at times. Filled with discouragement and despair at other times. Even wrought with excitement to the point I soared above the clouds.

The higher you go, the further you have to fall.

And falling from such heights hurts. It might even kill you(r dream).

Traditional publishing is the slow track to being published.

By slow I mean, it takes years if you pursue one of the large publishing houses (which means you have to find an agent first). After you spend months writing, revising, editing and polishing your manuscript, the journey of ten thousand miles begins.

It starts with research. Which agents are looking for your style and genre? Which publishers would contract it?

Then the rounds of submission begin. Most of this is done electronically. This speeds the process of notification to three months instead of six to twelve. Many agencies won’t respond unless they’re requesting pages.

Talk about disheartening. It feels like tossing my life’s work into a black hole.

I wanted this for myself. I needed the validation. I wanted a publishing professional to confirm that my work was of a quality to be read and circulated.

Publishing with a small press is the fast track to getting work in front of readers.

Even though it was a small publisher who gave me my first fiction contract (and all my subsequent contracts until I began writing for Kindle Worlds), it didn’t feel like traditional publishing to me.

First of all, the submission hoops are simpler to understand and jump through. The turnaround time for notifying you of acceptance is shorter.

I started with short stories in answer to specific submission calls. This is the only way I’ve managed to publish in my dream genre (young adult fantasy).

The contracts are long but straightforward, and most of the small houses don’t offer advances. They split the royalties half and half, though, which I understand is a substantial raise over big houses.

You still get the benefit of several editing passes (story development, line edits and proofing) and a professional cover. On my stand alone titles, I’ve been consulted about the title and my thoughts and opinions were considered and employed.

Traditional publishing success is ninety percent about who you know.

Slush pile. I’m not sure the few manuscripts I’ve sent, although requested, actually met up with the agent or editor. Getting a query past this point is something I’ve only managed with small houses.

Could be my queries are weak. Or the agent wasn’t looking for the kind of story I was telling.

All I know is that hearing nothing is more depressing than a rejection. It’s like all your effort is meaningless to the agent or editor. Sure, they have a ton of work, but does it really take so long to send a four line email saying you aren’t interested?

If you can get an author to recommend you, I understand the odds increase exponentially in favor of a contract.

Small press publishing is fifty percent finding the right publisher and fifty percent telling a good story.

It will still take effort to locate the right press for your story. More small houses appear every month. Many of them will disappear within a year or two. I don’t send anything to a publisher that’s been around for less than a year. And I always check out their current and past titles.

I’ve started reading some stories from a small press that weren’t all that great. Then I see that the author is also the editor-in-chief. This looks like a new form of vanity publishing to me.

They started up the press so they could publish their own books.

I’ve also read a few fantastic stories that come from the same situation. The difference? I didn’t take a poll, but I think it involves professional editing and more skilled writing.

I don’t want a bad story to be published. This is what kept me from subbing manuscripts for years. I wasn’t good enough. Even reading the first fiction short that Roane accepted makes me cringe a little.

Indie publishing requires both entrepreneurial finesse and cash reserves.

Independent publishing makes you the boss of it all. You’re the captain of the publishing ship.

If you want, you can churn out a story and upload it to Amazon with a thrown-together cover. Maybe you’ll sell a few copies.

But if you want to be a professional author, act like one. Make a business plan. Plan a production schedule. Give yourself deadlines and then meet them.

To succeed, you need to learn the business. Locate professional editors and hire them. Listen to their comments and improve your stories.

If you don’t know design, hire a cover designer. You can hire someone to format the interior of the book. You can even hire a publicity representative to plan your marketing campaign.

All of that costs money. Plan on investing anywhere from $500 to $1500 from your savings per book. Then do the math and find out how many copies you have to sell to break even and make a profit.

I still haven’t broke even on my indie novella Reflections from a Pondering Heart.

This is only FIVE things you need to know about being an author. I’m guessing 900 words is more than long enough for most of my blog readers.

Come back on Thursday to learn the other five things.

Which of these seems most obvious? Most important? Most discouraging?

Deep Thinking at the Writer’s Retreat

My Muse is extroverted in every imagined scenario. My actual body and mind are introverted enough to happily stay home every weekend reading a book.
While Musie celebrated the idea of the Deep Thinker’s Writing Retreat, my mind shriveled into the fetal position and begged to visit a library instead. Preferably the one on my iPad which wouldn’t involve moving away from my couch.
Since the retreat was in Florida, my body argued with my feeble mind. “There will be sunshine and blue skies. We can get our daily dose of Vitamin D without taking that soft gel.”


The part of my brain that knows I need a writing tribe and that my writing is falling short—somehow, since I can’t get an agent to jump on it—also slapped the curled mound of quivering gray matter. After all, 2018 is a year for metamorphosis, and the biggest part of that is with my writing.
The battlefield inside didn’t stop me from packing a bag or waking up at 3AM. On waged the upheaval between mind, soul and Musie, while I kissed hubby goodbye and boarded a plane for the first of three legs of the journey to Destin, Florida.

My Expectations

It was a writing retreat. I expected to write.

In fact, I set myself a goal of completing 5,000 new words for the third Sweet Grove Romance. I figured, that’s five hours. I’ll be there six DAYS, surely there will be at least five hours to write.
Not if I expected to sleep.

Not if I hoped to glean the lessons I needed for character development.

I know this is my weak area, and the retreat organizers gave us three days to work on our characters. In fact, we spent hours brainstorming the hero and shero of every retreat attendee.
This after the entire group tossed out ideas for characters of the “group” story we were brainstorming.

Brainstormers Extraordinaire headed by Susan May Warren

Brainstorming is my super power. No less than six people told me that at the group. One woman (a former managing editor for Zondervan) told me to expect an email from her every time she got stuck.
Oh-kay.
But the only time I got to write anything was on the final day of the retreat. Then I was expected to craft the first scene we had brainstormed earlier and share it with my group mentor, Susan May Warren.
She wanted me to share a rough draft scene with her? Was she honestly expecting to see my best work?
Enough of that. Even if the retreat wasn’t what I expected, it was an incredible experience.

A Day in the Life

I don’t sleep in. The fact I was in a different time zone didn’t matter.
I woke up around 5:30 AM (3:30 my time). My roomie woke up, too, and we headed down to the beach for a walk. This became our normal morning routine for the next four days.
Breakfast was meant to be served at 7:30. The oven wasn’t cooperating, so that didn’t happen the first several days. (Eventually the maintenance man arrived and determined that the convection setting was the default, so the retreat hostess had been using that instead of a regular bake setting.)
At 8:45, Rachel Hauck led the group in devotions. She’d recently taught a class on the Song of Solomon at her church, so we got some condensed thoughts from that.
Enlightening, for sure. I was considering the intimacy of my relationship with Christ…and finding it sadly lacking.
Then the morning sessions began. These were the topics:

  • Stories that matter
  • Characters that matter
  • Lindy Hop MEGA
  • 4-Act Plot
  • Plot your bookends
  • Scenes that matter
  • Building your premise

No, we didn’t do ALL those the first day. There were two morning sessions and these were the topics for those sessions (ten planned sessions in all, although it ended up only being eight).
After lunch, the larger group broke into two smaller brainstorming groups of six attendees, one mentor and one scribe (the Administrative Assistant for My Book Therapy was our scribe and the retreat hostess was the scribe for the other group. Both of these ladies are published authors).
Here’s what the afternoon brainstorming sessions were supposed to look like:

  • SEQ Brainstorming (four sessions)
  • Plot Brainstorming (two sessions)
  • Black Moment Brainstorming (one session)
  • Scene One Brainstorming (one session)
  • One session of writing time
  • Two sessions for one-to-one meetings with mentors

Note how I said “supposed to” in the preceding sentence? Yeah, the brainstorming of the hero and shero took the first three days of the retreat for the six authors in our group. A full hour or more per character.

This is what a character SEQ looks like

This left no time for scene brainstorming because the rest of the sessions were needed to brainstorm six plot outlines (LINDY Hop four-act plot diagram).
I will say that we brainstormed the black moments and first scenes as we went, so all the bases were covered.

The Lindy Hop plot for my novella

The first three nights, we watched a movie from 7 to 9 PM. Each person was assigned something from that day’s lesson to find in the movie and we discussed it after the film.

  • We used THE SECRET LIFE OF WALTER MITTY to discuss characterization on Friday night.
  • On Saturday, we talked about the major plot points with THE LEGEND OF TARZAN.
  • They made us cry on Sunday with THE IMPOSSIBLE. We talked about why that movie “worked” when the story was not action-packed. How did they build the emotional tension?

Not surprisingly, the emotion building still fit into the LINDY Hop structure we’d been learning.
Using movies is a great way to solidify the importance of characterization and plot. Everyone has the same frame of reference, so the question of subjectiveness is alleviated.

The spot where phone calls home happened

For the most part. There were varying themes for TARZAN that could be determined by naming different things as the “man in the mirror” moment or “black moment.”
The Deep Thinkers Retreat might not have been what I was expecting. (Notice I didn’t call it a writing retreat there. I think it’s meant to be a writer’s retreat rather than a retreat for writing.) Still, I learned so much that my brain overloaded on the flight home.

The perfect place for writing

My next Sweet Grove romance was written using these methods. In July, you can judge for yourself if this retreat made me a better storyteller.
What makes something a retreat? Have you ever when to a retreat with one set of expectations only to discover it would deliver a different set?

Seven Things I Learned from Publishing in Kindle Worlds

Every story and book I’ve published has taught me something about the publishing industry. Since Amazon gets a lot of flak about taking advantage of authors, I wanted to share what I’ve learned from publishing in Kindle Worlds.
First off, Kindle Worlds are considered fan fiction. I’m not a fan of this genre or this label.
Furthermore, I’m not a huge fan of the original First Street Church novellas written by Melissa Storm. I am a HUGE admirer of Melissa because she believes in supporting authors with every resource at her disposal.


I’ve mentioned before that I don’t read romance. Okay, that’s false now that I’ve dedicated myself to publishing three romance novellas this year and getting my first romance novel into print.

My first choice for reading material is not romance. And if I pick up a romance, I prefer romantic suspense. Sure, the romance is important but it isn’t the sole focus of the story.
So what the heck am I doing writing in a genre I don’t prefer to read?

I’ve been asking myself this question at least once a week since the dawn of my contract with Kindle Direct Publishing.

Now, on to what I’ve learned from this experience:

  1. The timeline of publishing may be shorter than with traditional publishers, but it isn’t quick and easy. Let me add: I have only contracted for a bonus with the first book released in November. This is an incentive from KDP to get authors involved in these universes they “own.”
  2. There is even LESS communication with KDP than with any other publisher I’ve worked with. Even the small house that took two years to print the anthology I was involved it had a specific editor who replied to my emails in a timely manner. Not so much with the KDP representative.
  3. It’s better to get support from other authors when you’re uploading your first book. The cover portion of the upload is confusing (set up so you will design your cover right there), and I was glad that there were multiple authors in the FSC Facebook group who could walk me through it.
  4. You won’t sell a ton of books. Even authors with huge followings who mailed their large lists of subscribers found they didn’t sell the expected number of copies. Which seems strange since Amazon promoted the heck out of these books on release day.
  5. The influx of cross-over readers takes time. In fact, I didn’t see a huge rise in subscribers to my Facebook page (we ran a promotion) or my email list when the book released.
  6. Staying the course with multiple avenues of exposure is still necessary. Once I finally got my spot in the Sweet Grove Sentinel (newsletter for the Kindle World), I netted 53 new subscribers in one weekend. Wow!
  7. Quantity is as important as quality. I believe the more titles I publish in this world will grow my following. Since there are so many books and authors in the First Street Church universe, the readers can’t be expected to buy ever one of them. At least not within the first few months.

    In the end, I don’t feel I’ve wasted my time and effort writing for Kindle Worlds. Yes, they own all these stories—forever—but I could take the characters to a different location if I wanted to publish outside of the First Street Church universe.

    Do you have any questions about this form of publishing?

Florida in February

Who wouldn’t want to go to Florida in the middle of winter? (Okay, winter is only a month from being “officially” over, but still.)

What writer wouldn’t want to attend a five-day writing retreat with two best-selling authors? Maybe someone, but not this author.

I wish I could tell you more about it, but at the moment, I’m in transit. Since the retreat is held at a house in Destin, Florida, I’m having to zig and zag all over the place to get there from the Pacific Northwest.

I left before 7 am this morning from Portland to fly to San Francisco. From there, I’m heading off to Houston, which appears to be the only major airport on the west side of Destin with flights to the little airport.


I arrive at 6 pm, exactly one hour before the shuttle leaves from the airport to take a bunch of us writers to the retreat.

Bright and early (okay, not really early in my book) on Friday morning, the retreat begins with breakfast and devotions led by Rachel Hauck. Not sure who that is? One of the best-selling authors. She writes Christian historical romances and historical fiction, so if those aren’t your genres…you’re forgiven.
There will be classes in the morning. Group sessions for brainstorming and applying the lessons.
In the afternoon, I’ll be writing my next Sweet Grove romance novella. That’s the entire focus of this retreat for me. I hope to come back with 5-10 thousand new words. If nothing else, I’ll have an incredible hooking scene and complete understanding of my characters’ motivations.

Because the first draft WILL be written before the second book releases on March 13.

Yes, here’s the pretty cover, in case you missed my post about the series. (You did? Here’s the link.)


Don’t worry, I’ll be sure to let you know how well the retreat worked out for me. Maybe even this time next week.

Or maybe not since I’ve scheduled March 1 as an official “recovery” day from all the travel and lack of sleep.

Where is your ideal winter vacation spot?