BIG MAGIC for Creatives

At the suggestion of an author I follow, I checked the audiobook of BIG MAGIC: CREATIVE LIVING BEYOND FEAR written by Elizabeth Gilbert. After all, I needed something to listen to while I cleaned the house and logged miles on the pavement.

In case you’re not familiar with authors, Elizabeth Gilbert is the author of EAT, PRAY, LOVE, so she had a little authority in the are of creativity. As a bonus, she narrated the audiobook.

What’s the Magic?

Inspiration is the magic behind creativity. There’s tons of noise about listening to your muse and being inspired by certain things.

Gilbert has an interesting view on inspiration. She proposes that ideas are the offspring of inspiration. Ideas float freely through the air around us, buzzing into the hearts and minds of various people, looking for a receptive venue.

When they find an artist that pauses to consider them, they stay awhile. They plant their seedling concept into a ready mind where the willing artist considers it.

If the artist, waters and feeds and otherwise tends the idea, it happily grows and flourishes, until finally it becomes the premise for a novel, theme of a painting or thought behind a symphony. Then it goes fully formed into the wider world to be viewed and appreciated by everyone.

Should the artist give up on the idea, it won’t wait around forever. This is why sometimes when we set aside a project for awhile, when we come back to it, the magic is gone. We can’t get into the flow again. It suddenly feels stale and unimaginative.

Gilbert has proof for her hypothesis regarding ideas. It’s a real eyebrow-raiser, and involves an exchange of ideas with Ann Patchett through nothing more than a touch. That’s all I’ll say about that. Read (or listen to ) the book if you want to know the whole score.

Gilbert’s advice: consider art as a vocation rather than a career. Even if you do it full-time. Once you call it a career, the weight of responsibility (to pay the bills and feed the artist’s family) presses against ideas, stifling them.

She names many fears and addresses her own methods for counteracting them. She debunks the idea of a “suffering artist” and proposes creatives fill their well with love for their art. The art will reciprocate with kindness.

My Takeaway

I enjoyed the various anecdotes and personal experiences shared by Gilbert. This will be the only book of hers I have ever read (although I did see the film version of the best-seller mentioned above, but we all know it was NOWHERE as amazing as the book).

Although I’m not entirely convinced of her theory regarding ideas, I can see how she would have made the conclusion she did.

Ideas are inanimate. However, the Creator of all things could very well send them on the air and into the hearts and minds of people He wants to develop them.

I have said, “Inspiration struck. The words poured out of me.” However, this isn’t inspiration in the sense of “God-breathed” scriptures.

Instead, I mean an idea bloomed and was ready for harvest. It responded to my watering with introspection and my feeding through brainstorming or research. It’s growth can no longer be contained in my heart and mind,

Idea explosion makes me adore writing a first draft. Sure, some parts of it might be a struggle, but I’ve learned to skip to the part the muse want to expel. The other parts will fall in line–eventually. Or maybe they will end up being summarized, nothing more than connective tissue for the brain child birthed with a minimum of labor.

A few lines jumped out at me, and I scrawled them down. They’ll be fodder for reflection in the quiet corners of my mind.

It’s true fear dampens creativity, can destroy it altogether. This is why I chose “dauntless” for my word this year. And why I’ve embraced the unexpected opportunities that have flowed my way this year.

BIG MAGIC isn’t an especially long book, so I recommend it if fear is stifling your creativity. It can’t possibly hurt anything, right? And it might invite the Big Magic of Inspiration to drop an idea (or ten) in the fertile soil of your imagination.

If you’ve read this book, what was your takeaway? What fear stifles your creativity?

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Writing Insanity

November. National Novel Writing Month. It’s a brotherhood of insane writers, pounding out 1,700 words per day for thirty days.
Since I’m rather unsure if I am meant to be a novelist, I may be a rebel again this year.
In 2014 I wrote that path. It netted four short stories, one of which I fleshed out into a 70,000-word novel.
A novel I pitched to three agents this past summer. All of them said the same things:

  • Women’s fiction must be at least 80,000 words and closer to 100,000 is better
  • The stakes need to be upped for at least one of the characters

All that to tell me I needed to rethink the story and add another 10,000 words at least.
But it hasn’t called to me.
However, I’ve planned and plotted a follow-up novel starring the youngest woman from that story. I could write that story in November.
Or I could write the next novella or two for the Christian romance “series” set in Sweet Grove, Texas.
After all, my debut in that Kindle World will be here in two weeks.


I’m hoping readers will be panting for the next installment, a story featuring minor characters from this first one.

What about doing something fun?

I’ve been jotting ideas for another fantasy novel for several months. I want to tackle the idea of a realm that exists outside of time encroaching on a world that exists inside the restrictions and constructions of time.

My thought is to have the mentor figure and the villain brothers who live in the timeless realm. They’re competing (as brothers do) and have gotten caught up in trying to trip each other up…by planting prophecies and information along the timeline in the world where time exists.
The story could include elemental magic with atypical sources.

But I really don’t have a story for it. Just a ton of vague ideas. And that’s NOT the best way to be a winner during National Novel Writing Month.
With the release coming up on the 15th and the content edits for REALITY EVER AFTER due on the 13th, I’m not certain I’ll have the focus for NaNoWriMo.

But how can I NOT do it? I’ve done it for three years and won every time. It’s such a morale booster.

Sure, it’s a little bit crazy, too. Especially when I only have three days per week to get my words written. And I’d want to finish by November 22 because we’re heading to the Oregon coast to spend Thanksgiving weekend with my sister.

If I’m not finished, the story will be hanging over my head the entire time.

Part of me wants to write something “just for fun” and another part of me knows I need to stop procrastinating and get stories down on paper.

What’s your advice? What would you do?

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Sometimes Blue is just Blue

Subbing in a high school language arts classroom recently, my thoughts turned toward symbolism in literature. And the fact that I don’t use it heavily in my own writing made me ponder a few things.

For those of you whose stint with literature in high school isn’t as recent as mine, let me refresh your memory.

The teacher would stop the reading of a story, play or novel and stare over the tops of reading glasses and ask, “Why was the room blue?”

Most of the time, I’m guessing the author made the room blue because they liked blue. Or maybe it reminded them of their character’s eyes or the bright orbs of the husky next door.

“Because the woman’s getting depressed.” This from the geeky person who always raised her hand when the teacher asked a question. (Hermione Granger or even me back in the day.)

Blue often symbolizes depression. Which I totally don’t get because a blue sky can make me content and happy faster than just about anything else.

The Story

The two freshman classes were reading “The Scarlet Ibis” by James Hurst.

This story of two brothers is set in the 1910s. It’s narrated by the older brother, and chronicles the brothers’ journey to make the sick and invalid younger brother “just like all the normal boys” when he starts school.

The Symbol

You might guess from the title that the symbol is the ibis. What the heck is an ibis? Glad you joined the freshmen in asking such an important question. An ibis is a tropical bird.

However, if you look up different meanings for the color red or scarlet, you might see that it is often used to symbolize things: like blood, for example.

In the story, a scarlet ibis shows up in the tree outside of the boys’ home and drops to the ground: dead. The younger (invalid) brother is highly affected and decides to bury the bird. His mother warns him that to touch it would bring the death curse on himself. So he manipulates it with a rope.

This is foreshadowing, of course. And when the final image of the story in the younger brother bleeding from his nose beneath a red bush, it’s clear that the author used the bird and the color of its plumage as a symbol.

Sometimes the symbols are obvious. Other times they’re more obscure.

If they’re obscure, I tend to wonder if they are reader created rather than author intended.

After all, if I’m going to use symbolism, wouldn’t it be most effective if it was clear and plain?

Literary fiction is rife with symbolism. The genres I write? Not so much.

This reflection made me wonder if readers enjoyed the odd symbol now and again. Would they want the woman to be wearing a green shirt when she learned a new skill? Did they understand the plot and arcs better when symbols were used?

I can only speak for myself. A well-done symbol is fine, and even interesting or enlightening when it’s well-executed. Making the murderer wear black just because black is the color of death? Not so much.

There must be a point to it. A point other than using symbolism for the sake of symbolism.

Is symbolism important to you when you read? Does it add to your enjoyment? Does it add extra dimension to the story? Or is it something you pay very little attention to?

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What I’m Writing these Days

If you follow me on Facebook, you get a monthly update of my writing projects. If you don’t, you’re going to get one now.
I’m an author so I write. I wish I could say that I only write things I LOVE and am jazzed to sit behind my laptop day-in and day-out pounding away on my wireless keyboard (which is missing seven letters and throws me off when I look at it to type).
I write blurbs and other marketing copy. When I’m selling or pitching a book to agents and editors, I pen query letters, outlines and synopsis (*cringes typing the word*).
What I write most often: blog posts.
You know, like this one.
Sometimes I even have interesting content or “high concept” ideas. Most of the time I feel like I’m shooting a post into the dark abyss of virtual space…hitting nothing, reaching no one.
So if there’s something you wish I would blog about, please complete the contact form here on the site…or leave a comment on this post.
My love is fiction and especially fantasy. Unfortunately, the market for that is rather soft and in order to “sell” a manuscript now and again, I write romance.

But I’m usually working on multiple projects at one time.

Fiction Projects

Unfortunately, there is no fantasy writing on my horizon. Even though I have an amazing dragon-covered Write Mind planner waiting for the magic of a new world with quests and magicians, I don’t know when I’ll get to write fantasy again.

I need to focus on writing things that sell.

At the moment, I have two projects that I’m guaranteed to sell.
The first is a short story (really more of a novelette) for the ONE SULTRY AFTERNOON anthology my publisher is planning for the summer of 2018.
Here’s a quick summation:

Ivory is in Leavenworth to earn money for her college education by guiding rafts on the river. Her boyfriend graduated and headed to the East coast without a backward glance, so Ivory isn’t looking for romance. Not even a sumer fling.
Prescott survived leukemia as a child only to become touch sensitive as a teenager. When he dropped out of college to pursue his painting, his photographer uncle opened his home in Leavenworth, in exchange for help manning the gallery and gift shop. The rugged beauty of the Alpine village of Washington inspires his creativity.
When they run into each other on a hiking trail, all their plans derail. But love is always a choice, and unless Prescott can overcome his fear of living he’ll never convince Ivory to choose him.

The second project is a novella for a 2018 release in the First Street Church Kindle World of Sweet Grove, Texas. While writing my debut in this world (coming November 15), I stumbled upon a minor character who’s about to run headlong into LOVE’S LITTLE SECRET.
Read on for the brief overview:

Norma Wells works at Sweet Grove High to nurture students, always aware of her own barrenness. She doesn’t understand why God didn’t grant the desires of her heart. At her Silver Anniversary party, she learns the reason her husband had no desire to pursue fertility specialists.
Herman Wells doesn’t deny that the Hispanic boy who crashes the Silver Anniversary party is his son. When he’d been the District Manager, he’d spent half of every month in New Mexico where he’d rescued Osaria and fallen in love with her. Or at least the idea that she needed him while his wife seemed content to build a life without him.
When Herman’s secret rocks their world, Norma has to decide if she can forgive her husband and welcome his now-motherless son. Herman wishes dealing with this fallout was the worst of his problems because when the pink slip comes, everything he build his life around tumbles around his ears.
An unlikely matchmaker seeks to reignite the love that life’s hardships snuffed out. Will Norma’s wish for motherhood come too late? Can Herman discover the most important truth before he loses everything?

Both of these are rough sketches, but hopefully they give you an idea.
I’m also working on edits for:

  • Love’s Late Arrival (due to release on November 15, 2017)
  • Reality Ever After (due to release on January 22, 2018)

My plan is to draft another two novellas in Sweet Grove for National Novel Writing Month OR to write the sequel novel to the women’s fiction novel I need to flesh out before trying to market it again.
What to write? What to write?

Nonfiction Projects

In my original business plan, my goal was to write two Bible study books each year. Unfortunately, that has never happened.
At the moment, I have four or five scattered ideas for studies but nothing concrete enough to begin working on. So it looks like there won’t be a new study in 2017.
The other nonfiction project I’m working on is the Christian living book about struggling through the aftermath of grief. I’ve been writing vignettes and Bible expository segments since 2015.


After meeting with a memoirist and getting feedback from two agents, I’ve got fresh ideas for how to approach this book. Now to be in the right state of mind to work on it.
What do I mean?
This project is an emotional vampire. I can never write more than one section on a given day. And it might drain me so I can’t touch the project again for a week.
But it’s the project I know God wants me to write, so I will do it. But it isn’t a project I can force myself to work on, so I have to pray and trust that He will guide me through it.
Eventually, I’ll market this book to Christian agents and publishers, but I’ll give myself a deadline for acceptance. If I don’t get it, then I’ll indie publish it.
But that is a LONG way off. Probably somewhere in my three-year plan.

A Three-Year Plan

In the coaching session of the Oregon Christian Writer’s Conference, Susan May Warren challenged her students to do the math and figure out how many novels, novellas, short stories, whatever they could write in a year.
When I’m on a roll, writing 1,000 words an hour is pretty common. Which means I can crank out 5,000 words in my five-hour writing day.
When we’re talking about the short fiction I’m writing for my publisher’s summer anthology, that means I can draft the story in a week. Those novellas I’m writing for the Kindle World? It will take five or six days to pen those first drafts.
You do the math. How many novellas could I write in a year at this rate?
Except for drafting them is the easy part.
According to Warren, I need to plan an equal amount of time for rewriting, revising, editing and polishing. (So the 25,000 word novella will take 10 to 12 days to be ready for beta readers.)
Still, if I focused on writing only short fiction, I could realistically churn a novella out each month (as long as my editor and cover designer could match my pace).
Whew!
If people purchased these, and I was an indie author earning 70 percent of the sale price, I could make some money. Maybe even support myself solely by writing.
Of course, that’s a big IF.

And rather than dream about this possible paycheck, I’d better get back to writing.

What would you like me to blog about? What genre would you like me to write in? What advice or encouragement do you have for this bumbling author?

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A Tale of Two Conferences: Comparison Ahead

Willamette Writer’s Conference and Oregon Christian Writer’s Conference are two local writer’s conferences. I attended Willamette Writers in 2014 and 2015. In 2015, I considered attending the OCW Conference instead, but I didn’t have much Christian nonfiction at the time, and that is what the majority of agents and editors were looking to buy.
In 2016, I didn’t attend the conference. I invested the money in an online Scrivener class, several online workshops and to hire a professional to help me find and streamline my brand.
This year, I had the God-given project weighing on me. I knew I wouldn’t get any peace until I consented to write the personal narrative heavy book on dealing with grief.
My brain reminded me about OCW Conference with one simple formula:

Nonfiction + Christian = What You’re Writing

Both conferences had value. Both helped me improve my craft and gain more confidence about my writing.

What’s The Same (Similar)

These two conferences are both for writers and publishing professionals. However, the sponsoring groups represent different segments of the author/publishing world.
Because OCW is an organization of and for Christian writers, the markets they speak to are limited to those publishers with the Christian Book Association. WW is a broader organization that would include Christian writers but not cater to them.
Many aspects were the same:

  • Pre-conference workshop with a publishing professional for an extra charge
  • Numerous sessions addressing various publishing topics
  • Agents and editors available to hear pitches
  • Advance manuscript critiquing services
  • Bookstore
  • Author book signings
  • An Awards program and ceremony

Let me mention that the pitches and critiques at WW Conference cost an additional fee. When I attended, it was $15 per pitching appointment and $40 for a manuscript critique.
The manuscript critique at WW Conference was more thorough and included a 15-minute appointment with the cirtiquer. The manuscript submission program at OCW Conference was presented more as a query and the responses didn’t include markup on every page, just an overview of what was good and what needed work. It might include a 15-minute appointment, at the critiquer’s discretion.

What’s Different

The biggest difference I noticed was the cost. The overall cost of these conferences is about the same. However, with OCW two lunches and two dinners are included in the price. All pitching appointments are also included. There is a $5 per submission handling fee for the manuscript submissions.
At WW, you pay additional for meals, or you plan to eat elsewhere.
Both of these include late night sessions, but I don’t recall feeling tempted to stay over at WW to attend the classes. Those sessions were exactly why I forked out $225 extra for a hotel room at OCW.
However, I sat with the OCW president during the awards dinner and found out a shocking truth. OCW doesn’t pass along the “sticker price” of the conference to conferees. If it did, it would be more expensive than WW.

Instead, they use the entrance fees from the writing contest to offset the difference.

Why would they do this? They don’t want to price the conference out of range for new or struggling writers.
I hope they appreciate it as much as I do. But still, it’s not good business sense. They could pull out the meals (make them extra) and that would make them break even.
The other big differences:

  • The friendliness of the attendees
  • The availability of presenters to answer questions and continue discussions after sessions
  • The 30-minute mentor appointment

Meeting with memoirist Bo Stern for thirty minutes was the second part of the conference that made all the emotional turmoil of rejections and introvert post-conference burnout endurable. She looked at my proposal. She answered every question I presented to her.
Most of all, she was compassionate when I broke down discussing the painful subject matter of my book.
I decided against pitching it to other agents because I knew I would break down again. I didn’t want any “pity requests.” Those would have raised my hopes further so they could be dashed more violently when the rejections came.
What other questions do you have about these two conferences? What else would you like to know about attending writer’s conferences?

My Overall Recommendation

I have to stay with my original assessment. Each conference is aimed at different audiences.
If you’re writing Christian nonfiction, OCW Conference is the place for you. There are workshops, mentors, editors and writers there to help you find your path to publication. If you have a book proposal, there are agents there who want you to pitch to them.
If you’re transitioning between genres, it’s best to look at the individual workshops being offered. Which ones will meet your current needs? Which ones offer information that crosses the boundaries between genres?

  • If you want to talk to professional writers without paying an exorbitant fee: OCW
  • You’re looking for a manuscript critique: OCW (unless your content is totally without Christian worldview)
  • You have general market fiction or nonfiction ready to shop to agents and editors: WW
  • You’d rather have short sessions on a variety of topics than a block of time devoted to a single thing: WW

Do you have specific questions about either conference? Have you attended either conference? If so, would you share your perspective on it?

 

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How Conferences Make you more Professional

Professionals attend conferences. One thing all conferences have in common is the availability of workshops so attendees can customize their experience.
Writing workshops will help you improve your craft , making your writing more publishable. Conference workshops can also enlighten you on the use and availability of helpful tools of the trade.
One of the things about the Oregon Christian Writer’s Conference that appealed to me were the number and quality of the writing workshops (which were included in the tuition). For several years, I’ve wanted to attend these smaller, interactive classes, but the additional fee for them at other conferences (or the stand-alone tuition) made it an either/or proposition.
I can either attend the workshop for a day (or a few hours) OR I can attend several days of sessions at the conference.

The variety of the conference sessions always won.

But at OCW Conference, I didn’t have to choose. An eight-hour workshop came with the regular tuition for the event. The only thing I had to choose was WHICH one of the workshops would benefit me most at this time in my career.

The Choices

OCW Conference organizers called these “coaching classes.” The instructor becomes a coach. Check out the popularity of coaches in every area—life coach, fitness coach, writing coach, nutrition coach—and you’ll understand the high appeal of this concept.
These were the nine coaching classes available at this year’s conference:

  • Weaving Spiritual Themes into Fiction
  • Children’s/Young Adult Critique (yes, you brought pages which were shared with the class and coach and picked apart)
  • Writing Historical Fiction for Contemporary Readers
  • Destined for Glory: Crafting Your Protagonist and His/Her Inner Journey
  • Get Published Fast: The Art to Writing Great Articles
  • Imaginative Fiction Critique Class (yes, more sharing your manuscript and getting feedback)
  • Telling Your Story with Authenticity and Empathy
  • A Novel Career: for both indie and traditional authors at every stage in the writing journey

With such an incredible selection, you can imagine my struggle in choosing only ONE.

I considered the critique classes but decided I have enough published authors reading my manuscripts in the beta stage that my time would be better spent on something else.


Since I chose to pursue the nonfiction path with all the one hour sessions, I decided against taking the coaching class. Although, after meeting with that coach in my mentor session, I know it would have been profitable for me.

My Workshop

In the end, I asked myself: “Why am I going to this conference this year?”

The answer was three-fold:

  • To pitch my Christian projects
  • To learn more about writing and selling nonfiction
  • To further my writing career through networking and accrued knowledge

Susan May Warren is the author of more than 50 fiction novels. She was the coach for the “A Novel Career” workshop, and because I respected her writing and knew she had a career writing novels, I decided to let her impart some of that knowledge on to me.

It was the right choice.

It will take me months to work through all the information she covered attempted to cover during our eight hours together. Thankfully, she emailed all her slides to class members, so I’ll be able to look back at her presentation rather than trying to make sense of my notes.
Along with talking us through finding our brand and forming a writing plan, she stopped to answer any questions we had. On the first day, she filled a white board with all the things we told her we wanted to learn about in the class.
She covered all those subjects, too. If not thoroughly, she included the information in the mailer to us.
It would have been worth $550 just to take her class. Although I’m a frugal-minded author since my writing paychecks have yet to cover my writing expenses, so I doubt I would have understood that in advance. So I would have passed.
This single coaching class made the time and money invested in the conference an epic win for me.
I pray my writing career bears witness to that claim in this next year.
Do you think networking or knowledge is more essential in business? What’s the best class you’ve ever taken?

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A Different Way of Pitching

One of the biggest reasons to attend a writing conference is to pitch your writing projects to prospective agents, editors or publishers. Pitching face-to-face makes even the most experienced author feel queasy.
Check out my posts on crafting a winning pitch and my actual pitching experiences.
One thing that I liked about OCW Conference was the opportunity to pitch three projects (or one project to three different people) in advance. Three pitches were included in the price of the conference (rather than being an add-on as at every other conference I attended).


This advance pitching was nothing more than querying these agents or editors.

And what writer doesn’t need more practice creating a query that sells?

As soon as I registered for the conference, I scoped out the conference website for details on agents, editors and publishers who would be accepting pitches. Most of the time, this included clicking through to individual websites to discover all the necessary information.
This conference had a page for agents and one for editors that were accepting advance queriers. Which one sounded like a fit for my memoir project? Did any of them seem right for the women’s fiction novel I also wanted to shop at the conference?
In the end, I chose two agents to query about the memoir and an editor who might be interested in my fiction project.
The process looked the same for all of them:

  • Craft a query letter (specific requirements listed on the conference page)
  • Write a compelling single-page synopsis (so simple to boil a 75,000-word novel into one page)
  • Include ten pages of the manuscript.
  • Put each query in a manila envelope addressed to the chosen individual
  • Mail all of them in a larger envelope with a check for a $5 per submission handling fee

And then the waiting began. I sent the pages off nine weeks prior to the conference. Within a week, I had a confirmation email from the manuscript coordinator. A few days later, I received another email informing me that TWO of the people I’d queried wanted electronic submissions.

Image from www.keepcalm-o-matic.co.uk

So I had to convert my files to PDFs and send them along.

And the waiting continued.

On the first full conference day, I will be able to pick these queries up. I can expect some notes from the agent/editor on the letters or manuscript pages.

If they’re interested, there will be an appointment card included with my manuscripts. (Really praying for THREE appointments.) At those meetings, we’ll discuss the project during the pitching sessions.

If they aren’t interested, I shouldn’t try to sell them the same project during the conference. But I can approach other buyers about the projects, if I want.

In the world of querying, nine weeks is an average waiting period for a response to a query. Many agencies won’t even respond if they aren’t interested (which feels rude to me), but most ask for 90 days to decide.
Generally, the more quickly a response is received, the more likely it is a “no thank you,” or “not for us” and “good luck with this.” In short: generic form rejections.

So with less than a week until I find out the fate of my queries, I’m perfecting my in-person pitches for these projects. I’m printing out copies of the sales sheet on Through the Valley of Shadows.

And I’m trying not to think about what these three individuals have to say about my project. Also, I’m imagining a scenario that would include one of these publishing professionals to show up at a meeting with a contract in hand.

After all, I’m a writer. I imagine outlandish things on a daily basis. Why not dream big for my writing career?

New Conference: New Benefits

Professionals attend conferences. Since deciding to be a professional writer, I have attended three conferences in person and two online conferences. The new conference I’m attending this year offered some benefits the others didn’t.

I’ve been eyeing the Oregon Christian Writers’ Conference for a couple years, but in the past it didn’t meet my needs.

For one thing, I wasn’t focusing on writing exclusively for the Christian market. And I’m still not. But I do have two projects in a “sellable” state that fit this market.

For another thing, it seemed to be heavy on nonfiction the first time I looked into it. Nonfiction? That translates to “no fun.” Right?

Or not. This year, one of the manuscripts I’m pitching is nonfiction.

Why This Conference?

There are two large writer’s conferences in the Portland Metropolitan area each year. I’ll be writing a post comparing and contrasting these two events.

OCW is what I need at this point in my career.

Let’s talk about the women’s fiction manuscript I’ve been laboring over for a year. It has a slight Christian bent, and that could be accentuated if I found a publisher that wanted to market it in the Christian marketplace.

I’ve pitched this story to one editor that I hope to meet with at the conference. There are a few other editors that I hope to get an opportunity to pitch this novel to.

Then there’s the thing I’ve lovingly referred to as “the grief memoir” for the past three years. Not that I was even writing it until last year. And even then it was sporadic. This book sucks my emotions dry.

What else would you expect from a book about dealing with grief?

Two agencies look right for this project. Both of these agents prefer memoir-like writings and are looking for nonfiction. I pray I’ll meet with these women and they’ll see the gaping hole in the market that this book can fill.

At least one of these women also represents fiction writers. You know that’s the one I really want. And I want her to ask when she offers me a contract, “What else are you writing?”

This year, OCW meets my needs much better than WW ever did.

Included Benefits

One great thing about this conference is that the fee ($550) includes everything.

Okay, it doesn’t include a room at the hotel and breakfast. So maybe not everything. But it does include:

  • Personalized workshops where I will interact with the instructor
  • Two full meals each day
  • A bookstore where I can sell my own books
  • Free manuscript critiques
  • A 30-minute mentoring appointment
  • Three pre-conference pitches
  • Appointments for pitching projects during the conference
  • Classes on everything from indie publishing to writing a memoir to building your brand

It’s pretty amazing that so many things I paid extra for at the Willamette Writer’s Conference (WW) are included while the main fee isn’t that different.

Also, the organizers are so incredibly helpful. They’ve made themselves accessible via email. They created a Facebook group for first time conference attendees (where they posted everything from a packing list to critiques of pitches).

Expectations

Professionals should know what they’re getting when they attend a conference. What’s more? They should have expectations about what the take-away will be.

After all, this isn’t my employer shucking out the money from a multi-billion dollar budget. It’s me and my “I’ve yet to make a profit writing” business. Is this conference worth the time and money invested?

Well, if it meets these expectations, the answer will be yes.

As far as workshops:

  • I’ll learn new things about how to get published
  • My writing craft will improve
  • I’ll understand the nonfiction proposal process
  • The author of my daily class will help me form a plan for being a novelist

As far as networking:

  • I’ll meet published authors who are real, approachable and helpful
  • I’ll meet publishing professionals who want to connect with me
  • Other newer writers will interact with me
  • Perhaps they’ll be some like-minded authors who want to form a writing critique group

As far as career advancement:

  • Half the books I take to sell will sell
  • The agents I meet with will request pages
  • The editor I meet with will request pages
  • The mentor I meet will help me formulate a nonfiction proposal and writing schedule

So, really, I’m not expecting much for my $550. It should be easy-as-pie to get all these things.

Look for a post later this month detailing whether the Oregon Christian Writer’s Conference met or exceeded my expectations. (Notice I’m not giving it the option of NOT meeting them.)

Do you attend professional conferences? Why or why not?

The Books of Summer

With the return of The Game of Thrones to HBO, people are into the groove of summer viewing. I’d rather be reading, and I know plenty of people who would rather READ George R. R. Martin’s next installment for this series.


Still, the anticipation of the show reminded me that summer’s long days encourage reluctant readers to pick up a book and head to the porch (or patio or deck)

What I’m Reading

I’m always reading something. This year, I’ve challenged myself to read 150 books. At the time I wrote this, I had read 102 (actually more since a couple were collections but Goodreads only counts them as one).
Recently, my reading choices have expanded to include more women’s fiction and Christian romance. These are genres I’m trying to break into with my writing, and the best way to understand what works is to read the genre.
As part of the First Street Church Kindle World, I’ve been reading the original series and some of the spin-offs.


I’ve been beta reading for some of my author friends. In this case, one of the books was a new take on vampire origins. (I’m NOT a fan of vampires.) I was intrigued by the twist on this, but still wasn’t convinced that I would invest myself in an entire series about them.
For my online book club, I read The Lemoncholy Life of Annie Aster for July. It sounded intriguing, but I had a hard time engaging with it.
On audiobook, I listened to a YA fantasy series from Tamora Pierce while cleaning, crocheting and coloring. (I love being able to multi-task.)
The second book in the Spellsmith & Carver series releases on July 31 (TODAY), and I’m excited to read it. I read Coiled by this author (H.L. Burke) earlier in the summer and couldn’t put it down. If you’re looking for a fairy tale retelling…pick this up.

What I’m Writing

I’ve written the final installment for my Virtual Match romance series.
The first draft of my debut into both Christian romance and Kindle Worlds has been wrapped. I’ll be rewriting it and getting it out to beta readers. I have until September 7 to get a copy to my editor.
My next writing project will probably be a short story I’m submitting for an anthology my publisher is putting out in 2018.
After that, things are up in the air. Once I know how my manuscripts are received at the Oregon Christian Writers Conference, I’ll know if I’m going to work on another women’s fiction story.
I will finish writing Through the Valley of Shadows, the grief memoir that’s been in and out of my queue for several years. I’ve decided to pursue indie publishing for it if I can’t get an agent to contract it.
Some books fill a hole in the market, and that’s how I see this book. Everyone will grieve (at multiple times in life) and the idea of mourning in a healthy way for as long as it takes isn’t highly promoted in Western society.

What I’m Wishing For

I’m not much for paranormal romances…most of the time. Maybe it’s because I forced myself to read the Twilight series so I could discuss it with my students. So if there are vampires and werewolves? I’ll pass.
So color me shocked when I downloaded the first book in Melissa Haag’s Judgement of the Six young adult paranormal romance series a couple years ago.
To date, Hope(less) the first book, is still my favorite and Clay and Gabby are my favorite couple.
I love the integration of a society existing in our own world. It’s well-crafted and believable. For some time, I wondered if bulky blond men on motorcycles were actually werewolves.
Just as Stephanie Meyer created her own vampire history, Haag has given the wolves an interesting backstory. By starting with a skeptical character in the first book, she had a chance to show us the two sides of werewolves. Later we saw the “dark side” generally meant they were a different species.

What?

And each human girl that is the central character in the book has a special gift. Because truly she is something called a Judgement. Six women are born in a 100-year cycle and if all of them unite, they get to make a judgment.
Haag has kept us in the dark about all this entails. But there is one group of wolves trying to round up the girls and mate them with their kind so they can control the judgment.
The final book, Sur(real), doesn’t release until November, but I’m ready for it now. This year I intend on re-reading the entire series in the weeks leading up to the release.
If you haven’t read this series, check out the first book for free. I promise you’ll get hooked.
What books are you reading, writing or wishing for this summer?

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Do You Love a Great Series?

If you’re like me (and a million other avid readers), you adore a well-written, engaging series. It means you’ll get to devour more books written about people who interest you written by an author you enjoy reading.
For authors, writing a series holds the same sort of joy.

And a few perils.

The Seed of an Idea

Virtual Match came to be when a group of indie authors saw an advertisement for an invisible boyfriend app. It didn’t take long for all of those creative minds to see how such a service could go wrong…or lead to a happy ending.

Before I wrote the original story, I mapped out Veronica Shay’s character and had a big secret in her past, one that kept her from dating anyone. Because it was a secret, it didn’t keep her controlling mother from nagging her about finding someone to love.

Enter Virtual Match, the online dating service that would match her with an employee who would pretend to be her boyfriend through texts, emails and even gifts. It was the perfect ploy to divert her mother’s attention.

You can find that story in Reality Meets its Match.

As with every writing project, there was a word count ceiling for that first story. Thus, it didn’t explore Ronnie and Marcus’ relationship. The premise was the dating app and problems it created.

But, Ronnie and Marcus started something in the last chapter of the first book. And my readers wanted to know what happened after that first kiss.

A Series is Born

 

Now available

The first thing you need for a series is characters with a problem that readers want to read about.

It thrilled me when readers finished the first installment of Ronnie’s story and wanted to know what happened next. These were characters I enjoyed spending time with, and I knew things weren’t going to get easier for Ronnie and Marcus. Because there’s no story if things run smoothly.

However, I didn’t have much of a background for Marcus Jordan. Originally, he didn’t even narrate much of the first story. At first, I tried to keep his identity a secret from the reader.

Beta readers thought he came off “stalkerish” when written anonymously. Plus romance readers know a romance is more enjoyable when we get time inside the skin and mind of both the man and the woman.

In Reality Bites, readers get to see who Marcus really is, and he’s not just an IT geek who knows how to hack a pretty girl’s online dating profile. His family is fun and supportive, which is a contrast to Ronnie’s flighty mother, vivacious sister and over-protective brother.

Coming from different family backgrounds adds more conflict to their relationship.

Readers learn Ronnie’s secret in the first book, but she hasn’t shared it with anyone else. I figured that would be the major event for the second story, but that didn’t feel like enough conflict.

Marcus wouldn’t respond to the reveal with revulsion. He’s not that kind of guy.

But enough about what you can expect from the second book. I don’t want to give the story away.

What I know for sure? Writing a series in smaller, Novella Niblet chunks has been fun, fun, fun. And I’m not done with Ronnie and Marcus yet because every romance deserves a happily ever after not just a happy for now ending.

For more about the final installment of the planned trilogy, make sure you’re signed up for Hero Delivery. You’ll never miss a sale, a signing or any other special I can dream up for my readers.